Tag Archives: NHRWA

Panster? Plotter?

A few months ago I was asked at a writing meeting if I was a pantser or a plotter. The question threw me for a moment because I’d never heard the term panster before. The question meant, do I write using a designated plot line or do I wing it and write – literally – by the seat of my pants. After some thought I realized I do a little of both.

I’ve always been the kind of person that needs direction and focus.  Maybe it’s because I’m a nurse and have a scientific, logic based education. But when I look back over my life I see I’ve always been the type to want to know where we were going, when  were we going to get there, and then what were we going to do. I’m not an aimless ambler, walking about for the beauty of the walk. I like to know where I’m headed and have a course plotted. GPS was made for people like me.

It’s the same with my writing. When I have an idea for a story or a character, I imagine what will happen  and then decide how and where I want to take it/them. I write everything down, every plot point I can conceive, and I always know the ending before I begin. Now that’s easy with the romance stuff: the ending is always the happily ever after tag line. But when I write my mysteries, I always know “who-done-it,” why, and how before the words fly off my fingers and into the laptop. I do allow road stops and tours occasionally ( the pantser part of me) but I find I am more productive when I have an  end goal in sight.

I know the writers who are strictly pantser-prone will say that I take the fun out of the adventure. Not knowing where you are headed is half the fun, they will tell you,  because you get to navigate through twists and snares and struggles along with your characters. But I do that anyway because – hello! – I created those twists and snare and struggles! Sometimes, though, I will admit that the plot is revised when a point arises that I didn’t think of and should be dealt  with.

So, are you a pantser or a plotter or a combo like me?

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A little conflict is good for the soul…and the book!

This past Saturday, I attended my monthly NH Romance Writer’s Meeting in Bow and the group was treated to a lecture/talk by uber-bestselling author Judith Arnold (JudithArnold.com) on the subject of CONFLICT. As writers of romance, we know that the main road to a happy ever after story is usually peppered with snags, twists and turns, until the end, where our heroes and heroines finally get together for evermore. Those snags, twists and turns are typically taken up with conflict. Conflict between our protagonists, or with other people or situations in the story.

Judith quoted one famous author who said the basis behind a conflict in a romance story is such: Your hero is a firefighter and the heroine is an arsonist. How’s that for conflict? Now of course, we all know the heroine isn’t actually an arsonist, but is suspected of being one, and the hero must discover who the actual bad guy is so he can clear the heroine’s name and they can live… you got it: happily ever after. Or maybe it just looks like the heroine is our arsonist because she is acting suspiciously. Either way, we know  our firefighter will have to do more than just fight a fire to get the girl. He’ll probably have to go through a fire to do so. This is defined as interpersonal conflict, or conflict between characters.

Conflict is also evident within our characters’s makeup. Perhaps your heroine is a strict vegan PETA  member and your hero is a died in the wool carnivore cowboy. Can your heroine come to grips with her own strict moral beliefs and come to accept another viewpoint? Can the hero? This is internal conflict, or the conflict that rages upon us internally. I once wrote a short story about a female police officer who had been abused by her pastor as a teenager. As an adult, she struggled with the professional convictions of her job to protect and serve, and her personal desire for revenge. I won’t tell you the ending, but when I wrote it, I drew on my own thoughts as to what I would do if placed in the same situation. Those of you who know me know I love me a good revenge story!

Man against the Machine is the ultimate external or global conflict. Fighting against the forces of Big Brother corporations, or deadly political regimes, government corruption and so forth.

So, when we’re writing, we need to remember that conflict is key to the romance story, because after all, the story of a guy who meets a girl and marries her is just too boring for words. STUFF needs to happen and the stuff is conflict.

What do you think about this? Drop me aline and let me know.

Until next time, I’m off. And I’m conflicted: should I nap or should I write?

Conflict.

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