The art of Storyboarding…

On Saturday, my New Hampshire chapter of RWA was given a treat: our chapter President, Christyne Butler, gave us a masterclass on storyboarding. What is storyboarding? I am so happy you asked.

Typically used in visual media, a storyboard is defined as such: a sequence of drawings, typically with some directions and dialogue, representing the shots planned for a movie or television production. This helps the film people plot the story, frame by frame, sequence by sequence.

But writers use storyboarding as well.

Most books are comprised of chapters, scenes within chapters, and actions within scenes. Instead of framing the novel action by scene by chapter, writers approach the storyboard a different way. Christyne showed us her way, which is how her characters are plotted out. She boards each individual character and things that might pertain to him/her when she starts to write. She has a complete visual reference for the entire book at her fingertips when she begins to write her story. She must be doing something right because she is a multi-published, very popular author!

Now, when I plot a new story it looks something like this:

I write everything out longhand once I find pictures of my  characters. I fill entire composition books with pictures, descriptions, motivations, and backstory. It takes a while, but so far it has worked for me. With Christyne’s method – a more visual one – it seemed like it was worth a try, so I did it. Here’s where I’m at after 2 days: ( those are my feet in the bottom of the photo – damn crop app didn’t work!

This is a three book arc. My heroines are on the left side of the board, my heroes on the right. Just from viewing this I can see I know a whole bunch more about my girls than my boys!! SO right away, this has become a valuable tool for me. Since I am character driven, I have pictures of my peeps, their bedrooms ( I always want to imagine where they sleep!), things about their careers – quotes or pictures of occupations, and the colors on their individual blocks are foils for one another. For instance, the top is black and white because those two love interests perceive everything emotionally in shades of black and white – no gray. My goal is to get them to the gray! I love assigning colors to characters because I think of them in shades of colors. It’s hard sometimes to explain how my brain works, but the black and white instance is the easiest way for me to get you to understand how I envision people/characters.

This is all after 2 days. I’m hoping ( wishing?praying?) to have it done this weekend. I’ve already written two chapters, but I feel as if now I’ll know my characters much better when I write the rest.

So, if you’re a writer, do you storyboard? Write out everything in longhand? Fly by the seat of your pants? What? let’s discuss……

New release 3 WISHES (A Candy Hearts Romance)

Valentine’s Day is chocolatier Chloe San Valentino’s favorite day of the year. Not only is it the busiest day in her candy shop, Caramelle de Chloe, but it’s also her birthday. Chloe’s got a birthday wish list for the perfect man she pulls out every year: he’d fall in love with her in a heartbeat, he’d be someone who cares about people, and he’d have one blue eye and one green eye, just like her. So far, Chloe’s fantasy man hasn’t materialized, despite the matchmaking efforts of her big, close-knit Italian family. But this year for her 30th birthday, she just might get her three wishes.

Get it here: Amazon //  The Wild Rose Press // Nook//  Kobo //

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