Birth order, sibling dynamics, and families are truly fascinating to read – and write – about.
Tag Archives: Characters
Birth order…in life and in characterization
Filed under Characters, Dialogue
Is This When the Miracle Happens? by Cheri Allan
My guest blogger today is author Cheri Allan.
I met Cheri Allan at NHRWA a little over a year ago and I was immediately taken with her open, easy, friendly and FUNNY personality. When I was lucky enough to read her first book, Luck of The Draw right before it was officially released, I realized she writes exactly the same way she does everything else in her life: with fun, heart, warmth and joy. Her newest book, All or Nothing, book 3 in the Betting on Romance series, is dedicated to her beloved mother, whose birthday is today – Happy B’day!! Today, Cheri’s blog is titled Is This When the Miracle Happens? Read along and find out….
There are two facts about me you should know: I have successfully crammed a loveseat into the back of a Chevette, and my final grade in high school geometry was 103%.
I share these two little factoids not to brag (okay, maybe a little. I even got the extra credit questions right!), but because it was with this inflated sense of mastery over spatial thinking and physics that I approached a particularly difficult application of ice and water shield several years ago. (Think rubbery sheets of contact cement.) Dearest Hubby and I were weatherproofing our newly framed dormer before the summer T-storms hit again. I was leaning through the narrow rafter cavity with a piece of ice and water shield (sticky side out) attempting to reach in a direction that would require: a.) one of my elbows to bend backwards, b.) my arms to stretch another 6-8 inches, and c.) me to develop x-ray vision that would allow me to see through a 2 x 12 rafter. I had struggled for probably ten minutes or so at this task when DH leaned close to my ear and whispered, “Is this when the miracle happens?”
I dissolved into convulsions of laughter and ended up sticking the ice and water shield to my forearm (which, BTW, I don’t recommend) because it was perfectly clear that as much as I stretched and pushed and struggled, the physics of the situation where not going to change.
In ALL OR NOTHING, self-made tech millionaire Ian McIntyre has just returned from filming a reality dating show. Unfortunately, he did not find a match. This is an ice and water shield moment for the show’s producer who spends the rest of the book trying to bend her elbows backwards getting Ian to fall in love and choose a fiancée so the show’s ratings don’t go down the toilet.
It turns out that the kind of woman Ian asked to be matched with isn’t the woman he needs (big surprise!) And it takes a loveable puppy, some persistent paparazzi and one spunky heroine to get him to see he needs to approach things differently. Cue the triumphant music and happy ending as the hero and heroine run through a sunny field toward one another…
You see, sometimes the miracle happens (don’t ask me how I got that loveseat in that car) and sometimes it doesn’t, but as writers we have a tendency to continue to shove and twist during those difficult times waiting for the fairy dust to sprinkle down from the heavens so our elbows will bend backwards and the scene will work. Chances are good, though, that we won’t suddenly realize we’re double-jointed, and it will take a whisper from outside ourselves to see that we need to take a new tack.
This is where I admit the third fact: If it weren’t for my lovely, talented and painfully honest editor, you would probably throw my book at the wall. In ALL OR NOTHING, I had a plot line that was not working. I knew this, and yet a part of me still hoped that, somehow, I’d pull it off. (Shh! Don’t say anything! I just need to stretch a little more!) Enter my editor who said (and I quote): “WHAT?!” If she’d had a red Sharpie, my manuscript would have been glowing. She hated this plot line and told me the two (Or twelve. Really, I lost count.) reasons why readers would go on to hate me and my heroine if I left it in.
She was right, of course. I was struggling so hard to make it fit, I wasn’t able to step back and see that it would never work. Once I pulled that plotline, all sorts of things fell neatly into place… like a loveseat into a Chevette.
This whole experience has reinforced for me the VITAL importance of having a critique partner, a plotting group, a good content editor or simply an honest friend to point out when persistence has morphed into stubbornness. Anyone that knows me knows I’m an optimist. I believe in happy endings and true love and that, somehow, the sticky pieces of life will magically fall into place. (Ta-da!) The reason I believe so strongly in these things, though, is because I surround myself with those who have the courage to whisper the truth in my ear when it needs to be said so I can reach my goals another way.
Now, I’m excited to share ALL OR NOTHING with the world, because I know it delivers the magic of a happy ending (with only fictional joint pain.) And I hope, if you do throw the book at the wall, you do so out of convulsions of laughter.
It does make me wonder, though… If I had left that ugly, unsympathetic plotline in, would you have thrown your book at the wall? How far does an author/character have to go to make you lose all respect for them to the point they become unredeemable? Depending on your answer, I may have to send my editor an extra large bouquet of flowers to thank her…
Join my mailing list at http://www.cheriallan.com and be entered to win an ‘All or Nothing Gift Basket’ full of goodies and books from New Hampshire. Drawing to be held April 30th! But don’t wait. Download your copy of ALL OR NOTHING today! Just $2.99 for a limited time.
ALL OR NOTHING (A Betting on Romance Novel, Book 3)
When finding Mrs. Right goes oh, so, wrong…
Self-made tech millionaire Ian McIntyre has suffered through a reality dating show only to return home to idyllic Sugar Falls, New Hampshire, empty-handed, swarmed by paparazzi, and hounded by a Hollywood producer determined to deliver a Happily Ever After. But then his home is invaded by a sexy, snarky local staging it for the season finale, and Ian finds himself more interested in the cute and scrappy hometown girl dusting off his action figures than the audience’s favorite southern belle.
Auto mechanic Bailey Adams grew up on the wrong side of the tracks and is struggling to patch together enough odd jobs to buy a garage of her own. When the Golden Boy of Sugar Falls entangles her in his disastrous season of Happily Ever After, they both discover that some long-held dreams are only as ‘real’ as ‘reality’ TV. Now, with the deal on her dream garage in jeopardy and her unlikely love affair with America’s favorite geeky hunk playing out on national TV, Bailey must decide if she’s willing to risk it all for love… or be left with nothing.
**Mild sexual content; Mild language; No violence**
EXCERPT
“Then take off your coat and avoid hypothermia.”
Her bottom lip jutted out. “You first.”
He shrugged out of his parka and hung it on a hook by the door, raising one eyebrow as he did so.
She took another long drink then tugged her coat off and hung it next to his. Melting snow dripped onto the floorboards beneath it. Stubborn woman.
“Your lovely flannel shirt is also soaked,” he said.
“Yeah, like I’m falling for that.”
“Don’t flatter yourself. I’ve seen lumberjacks make flannel sexier than you do.”
He didn’t know why he was goading her, but he felt on edge… wet, chilled and restless.
“Like you could resist me if I were standing naked in front of you,” she said.
She paused, as if she weren’t sure how those words came to be floating in the air between them. But there they were, raining down over him like hot sparks. Heat flooded through him, and he could feel his blood pumping. He watched her, the air crackling with awareness. The fire in the stove popped and something tumbled inside. His heart thudded in his chest at the word ‘naked.’
“Try me,” he finally said.
AUTHOR BIO : CHERI ALLAN
Cheri Allan writes humorous, hopeful contemporary romances. She lives in a charming fixer-upper in rural New Hampshire with her husband, two children, two dogs, four cats and an excessive amount of optimism. She’s a firm believer in do-it-yourself, new beginnings and happily-ever-afters, so after years of wearing suits, she’s grateful to finally put her English degree to good use writing romance. When not writing, you might find her whizzing down the slopes of a nearby mountain or inadvertently killing perennials in her garden. Betting on romance… because every woman deserves to get lucky.
BUY LINKS:
Amazon: http://www.amazon.com/Nothing-Betting-Romance-Novel-Book-ebook/dp/B00VO56WMU/
Barnes & Noble/Nook: http://www.barnesandnoble.com/s?store=allproducts&keyword=cheri+allan
Kobo: https://store.kobobooks.com/en-US/ebook/all-or-nothing-62
You can also find Cheri Allan on Goodreads, Facebook, Twitter and (when she can figure it out) Pinterest. All three Betting on Romance books are available at most major on-line retailers and http://www.cheriallan.com.
Filed under Characters, Dialogue
A little present and a tease….
May 6, 2015 is the official release date of my second novel THERE’S NO PLACE LIKE HOME. Yippie!
Most of you know the Wizard of OZ is one of my favorite books of all time because it is so rich with psychological subtext and family drama, two of my favorite things to read. The title for my book comes from Dorothy’s famous line, spoken at the end of the movie, and I have always felt this statement is true. There really is no other place like your home. Home means warmth, shelter, comfort, safety, acceptance, love and nurturing. My heroine in THERE’S NO PLACE LIKE HOME, Moira Cleary, is at a crossroads in her life and has come home to rest, recover, and reconnect with her beloved family. She has been globetrotting around the world for over 4 years with a traveling symphony, when something happens to question the lifestyle she has made for herself. Coming home provides her with safety and surrounds her with love. Love of her immediate family, and of her best friend, veterinarian Quentin Stapleton.
Here’s a little present from me to you. Hope you enjoy it and are intrigued enough to order your own copy of THERE’S NO PLACE LIKE HOME.
“Remember when your cousin Tiffany got married in the backyard here?”
Confused, Moira nodded.
Quentin rubbed her bottom lip with the pad of his thumb. “When the Reverend told Cole ‘you can kiss your bride,’ and he swooped her off the ground, spun her around and kissed her silly? Remember what you said?”
“I think I said it was the most romantic thing I’d ever seen.”
He nodded. “The exact quote was, ‘I hope someone kisses me like that some day.’”
Her grin was quick at the memory. “Pat snorted and said I’d better be satisfied with licks from the horses and Rob Roy because no guy was ever gonna kiss me.”
“He wasn’t known for tact back then.” He rubbed a hand down her back as he held her. “Remember what happened later on behind the barn?”
Because she did, she couldn’t stop the heat from spreading up her face like wildfire. When she nodded again, he said, “You wanted to know what it felt like to be kissed like that and since I was your best friend, you thought I should be the one to do it, because you – quote – felt safe with me – unquote.”
“What was I? Eleven?”
“Thirteen. And I was more than willing. Almost broke my heart in two when you said afterward, ‘I don’t see what all the fuss is about.’”
“Q—”
“Hush.” He kissed her forehead. “Ever since that day, all I’ve wanted is a second chance. Now,” he pulled her body closer, wrapped both arms around her small waist, his hands resting just above the dent in her spine. “We’re both a little older, a little more mature. Some of us are much more experienced—”
“And conceited.”
“Experienced,” he said, the laugh in his voice quiet and seductive, “and things can be so much better.”
Filed under Characters, Dialogue
The Power of Friends… in Literature
Where would Nancy Drew be without George Fayne? Where would Huck Finn have wound up without Tom Sawyer? Scarlett may have derided her, but Melanie Wilkes was her best friend hook, line, sinker and soul. What about Elizabeth Bennett and Charlotte Lucas? Without Charlotte, Lizzy may just have wound up married to the horrible Mr Collins. Charlotte did her a solid by marrying the little worm. Harry Potter, Ron Weasley and even Hermione, were the best of ‘mates. And dear God, could we have had Sherlock Holmes without John Watson?
In my last post I talked about my friends and what having them in my life means to me. Literature is chock-full of besties and we are all better for having shared in their friendships, albeit second hand.
Friends in literature serve so many purposes aside from simply being “a friend.” They are foils for one another’s characters; sounding boards for ideas, problems, and resolutions; cheerleaders and soul soothers, and best of all, the true friend will always steer you in the right direction when you are going the wrong way, tell you if you have spinach in your teeth, and hold your hair back when you need to vomit. This last one is literally and theoretically!
My two favorite books of all time are Gone with The Wind and The Wizard of Oz. Both are rife with the beauty and detail of friendship. In both, the main characters of Dorothy and Scarlett need to find their way: home and in life. The TinMan, Cowardly Lion and the Scarecrow all help Dorothy face trials, tests, and tribulations in order to find her way back to Kansas, to Auntie Em’s loving care, and to discover her heart’s desire. Scarlett is Melanie’s opposite in every way, except in their love for Ashley, and in this opposition of character details, each woman brings out the best in the other. Despite what many historians have postulated, I really do think Scarlett’s road to redemption begins when she brings Melanie back to Tara after the birth of Beau. She risks her life to make sure they all get home safe and sound. Whether you believe it is for a selfish reason, such as ensuring Ashley knows Scarlett helped his wife, or – like me – because deep down Scarlett was truly a good and loyal person, their relationship ( Scarlett and Melanie’s) is the strongest and most enduring in the novel.
When a writer creates friends, he/she needs to know what each friend brings to the relationship table. It’s simply not enough to have the main character have friends. They serve purposes, both positive and negative, and these purposes enrich the novel and the character’s quest. They play off one another, spark ideas between them, and – such as in the case of Holmes and Watson – better the lives of the people surrounding them. Ron and Hermione show Harry Potter that people do care about him -not because he is a wizard – but because he is a person with feelings and desires, just like they are. Sharing triumphs, failures, tears, and joy are just some of the emotions friends go through together.
Think about your favorites books. What are the friend relationships like? Is the book made better because of them? What does each friend bring to the relationship table for the main character? When you write, think about these facets. Your book will be richer for it, and sound more true-to-life.
Filed under Characters
Titles…
Someone asked me the other day how I come up with the titles to my stories and novels. They are all different and don’t really follow a common thread. Book titles, I feel, are like your children’s names: you want them to be unique, but not so unique they become albatrosses or points of ridicule. I discovered through research (okay, through Google!) there is an entire industry devoted just to this: how to pick the correct words to capture a reader from the get-go; the word combinations never to use in a title; the words that have the most impact on sales.
I know some writers who use song titles for their books and expound on them in the story. I love this idea. I know another author who writes down every combination of a phrase based on what the book is about until the perfect title presents itself. I also love this idea. Some experts say never to have more than one word or two at the most in the title so that it grabs the reader’s attention. Long winded names can be turn offs to people glancing at the book rack in Barnes and Noble. The key, advertising executives always say, is “short, punchy, and memorable.”The original working titles for my favorite all time book, Gone With The Wind, were Tomorrow is another day and Ba! Ba! Black Sheep.
Now would GWTW have been such a mega hit if it had one of those titles? Who knows. I certainly don’t think the movie would have done as well with the sheep title, do you?
To Kill a Mockingbird was called Atticus before Harper Lee – thankfully – changed it.
And my favorite title change – more about why in a bit – was Pride and Prejudice. Austen originally called it First Impressions.
Now my titles are usually the first thing that pops into my head when I’m working a new plot through. I don’t try to be cute or fancy or erudite. I just “see” the title in my head, and that’s it for me. I’ve never had an editor or even a reader tell me the work was mis-named or would have been better suited to some other title. Maybe this is arrogant on my part, and okay, I’ll agree with that. They are, after all, MY titles. But again, just like when you name a child, you want the title/name to be a reflection of your thought and love. You want it to be able to convey something of what the book is about when you are trying to capture a potential reader’s attention. Skater’s Waltz has two words and is actually a piece of music. There’s No place Like Home, has 5 and it’s a sentence in one of my favorite movies, The Wizard of Oz. My third book, which I am thrilled to announce just went to contract, is First Impressions. See now why I like that Austen changed her title?
Titles are like names. They should be individual, coherent, and special. They should capture a reader’s attention and their desire to want to read more. Think of your favorite book titles. Do they fit in with this thought? I know mine do.
Filed under Characters, Dialogue
I love a challenge…
I love a challenge. There’s just something about committing to it, planning for it, and then executing it. The ultimate goal – completing the challenge – is a high like none other. I’ve done 2 half marathons and the only goal I had with the first was to finish it upright and not on an ambulance stretcher. The second marathon had the same primary goal – run across the finish line – but I’d vowed to shave some considerable time off of my finish. And I did.
And I love a writing challenge most of all.
My local RWA chapter has a writing challenge every summer. You pledge to write every day, no matter what, for a week at a time. Every day you enter your word count for that day and it is totaled at the end of the week. The prize: accomplishing your goal. No trophies, cash prizes, or fabulous trips abroad ( although, wouldn’t that be nice?!) No, just the internal knowledge that you set out to do something and you did.
I’m a huge lover of NANOWRIMO. I’ve done it for the past several years and to me this is the ultimate test of your writing commitment. In order to “win” you must complete 50,000 words of your WIP from 11/1 until 11/30. You track daily and at the end of the month you must have a minimum of 50,00 words committed. This is a wonderful way of getting that first draft on the page.
Currently, RWA is having a writing challenge. You promise to write 2000 words each month in your WIP and then enter the actual word count at the end of the month on the RWA site. This is another motivator to get those fingers flying across the keyboard and unleash your imagination. And I can do 2000 in one sitting, never mind an entire month so this will be not only a fun challenge for me, but a relatively facile one as well.
So, what motivates you? Do you like a challenge? Does the idea of throwing down the gauntlet and committing yourself to a worthy ambition appeal to you? Do you need that proverbial kick in the a** to get you started? If so, CHALLENGE yourself.
Filed under Characters
I hear voices…
My new book is slated for release on March 4; I’m finishing up the final galley edits on book 2, and have just submitted book 3 to me editor ( and boy, don’t I love saying that!). And I still have 5 books in current production – which means they are at varying stages on my laptop, anywhere from outlined to first three chapters, to almost done with first or final draft.
Yup, I write a lot.
A lot!
I’ve got voices yelling at me at all hours of the day and night inside my head, screaming to be let out. Sounds like a schizophrenic’s nightmare, but no, it’s just li’l ole me and my overactive, non-quiescent imagination.
There are just not enough hours in the day sometimes for me to try and quiet all these people down. And the only way to do that is to commit them to paper – or in my case – laptop. With my upcoming retirement in April, I pray I finally have enough time to devote to all these characters vying for my individual attention. As it is now, I am just skimming the surface of my desire to write full time. Once my paying job goes the way of the dinosaur I won’t have to squeeze in writing while I wait for the laundry to be done, or after I’ve gotten the groceries bought and put away, or decided what to make for dinner and then make it!
The house will – hopefully – no longer endure the invasion of the tumble weeds that roll out daily from underneath the furniture; I won’t be able to write my name in the dust settling on the furniture, and when I walk across the carpets, dust bunnies won’t fly up from under my steps.
I plan on being able to write to my heart’s desire during the typical workday. I am usually good mental-wise from 4 am until about 1-2ish. Sharp and focused, I can write the most coherent stuff during those times. After 2-3 I start to wane, so that’s when I plan on doing all the other stuff that needs my attention – like clean, cook, pay bills, etc. At least that’s my plan.
We’ll see how it goes. But until then, the voices are yelling at me again, so off I go to quiet the crazies….
Filed under Characters, Dialogue, Editors
In a relationship? That’s fodder for a great story…really!
It’s kinda difficult to be in a relationship with yourself. Usually, you need 2 or more in the relationship to define it as such. Now before you get on Twitter and tell me the most important relationship is with yourself, hear me out.
I write romantic stories about men and women who find each other, suffer through hardships, and wind up living their happily ever after. I was asked once, how do I think up the people I write about? Well, here’s my dirty little secret concerning my writing: I don’t make my characters up completely from my imagination. I actually incorporate nuances, characteristics, speaking patterns, etc, from people I know, have met, or have seen. I’m a huge observer. Part of my scientific educational background is in observation and methodology. In lay terms, I’m a watcher. Voyeur is too skanky a word to use because there’s nothing sexually based about my people watching. And the people I watch the most are couples.
When I’m out at a restaurant, I’ll discreetly glance around me and see who’s together, what they’re doing, how they’re acting towards one another. I may see an older man and woman holding hands across a table, waiting for their drinks to arrive. Or, I may observe a younger couple each glancing down at their cell phones and not at each other as they wait for theirs. I’ve seen couples seated at a square table for four sitting opposite one another or next to each other. If they’re seated in a booth, same thing. Either across the table, or together in the same seat, the guy’s arm draped around the girl.
All of these behaviors tell me something about the relationship that I can use for my own characterizations.
Ever go shopping with your significant other? It’s a trip, that’s for sure. In malls, I make it a strategic habit to watch men and women shop together. Body language is a huge component of my writing, especially in a non-love scene. You can learn so much about a character by how one non-verbally responds to the other. Next time you’re in a shopping mall, check out the couples you see milling about. Are they holding hands? Arms draped over shoulders as they amble along? Are they talking? Is one person the main talker, with the partner nodding every so often giving the illusion of listening? Or is it a real dialogue where the two of them are responding verbally to one another? In a store, does the partner simply wait in a chair while the other shops or do they shop together, giving opinions, etc? Are opinions valued or poo-pooed away? Are complements given? Watch a man’s face the next time you see his woman modeling something sexy for him in a store and you’ll know exactly what I mean.
I was at a professional baseball game once and “listened” to a couple seated in front of me. They were on a first date – how do I know? The girl mentioned it as she and the guy were talking. She had never been to a pro-game before and he was explaining who was who on the home team. Remember I said body language is key? Well, he was leaning into her as he spoke, and she to him as she listened, their shoulders touching often. He didn’t need to raise his voice to be heard because the noise level was good – not overbearing as it can be – so there was no reason for him to be so close to her just to be heard. They maintained eye contact throughout speaking. At one point during the game the home boys earned three runs on a single pitch. The entire stadium was on it’s feet, including the first daters. He grabbed her and hugged her in his exuberance and I swear I could see her fall in love with him before my eyes. The stadium could have been empty except for the two of them at that moment. I used that scene in an upcoming book of mine, First Impressions, and I was giddy when I was writing it because I’d actually seen it played out in front of me.
If you’re a writer, your every day experiences, the people you meet – even the people you know – are all fodder for you to use when you create your characters. Of course you never want to copycat a real person into a character – you’re setting yourself up for some serious legal action if you do! But there’s nothing wrong with a little cut and paste between people you know or have interacted with and your characters.
One final caveat: friends, loved ones, and family – please do not now LOOK for yourself in my characters when you read my books! You will never recognize yourselves if I’ve “used” you.
Filed under Characters, Dialogue



