Category Archives: Characters

Are you driven by plot? And I don’t mean in the literal way…

Plot driven stories are just that: stories that are fundamentally about the…wait for it…Story.

The world is going to blow up unless the hero can save it and defeat the evil scientist. The largest diamond in the world has been stolen and the heroine needs to get it back. An island volcano in the Pacific Ocean is primed to blow and destroy half the world. Who or what can stop it? There’s a contagion on the rampage killing off half the world’s population.

All of these stories are plot driven. Something is going to happen ( or already has) and something needs to be done about it. There’s a lot of action, a lot of external maneuvering of the cast of characters, and hopefully a resolution of the problem in the end. There isn’t what you find in character driven stories – namely the deep internal conflicts, the emotional descriptions and the development of internal/external changes of the main characters.

The easiest way for me to remember the difference between character driven and plot driven stories is this way: In character driven stories, the people ( characters ) change. In plot driven stories the outcomes change, such as, potential earth destruction is now world peace.

Okay, that example was a little corny, but appropriate for this discussion.

In romance, plot driven books are usually the old standard lines, called tropes.  Tropes are  familiar or recurrent themes in stories.  For romances, some – but not all – include: Marriage of convenience, a surprise baby,  damsel in distress, opposites attract, love triangles. Writer Romy Sommer did a great piece on listing romance tropes in an article from 2012, that you can read by clicking on the link with her name. Suffice it to say that any  number of tropes can be categorized as being plot driven. So even in romance, plot can be the motivator for the story.

Before I wrote romance novels I wrote mystery and suspense. These books were totally plot driven. I would come up with the idea first and then get my characters to join in the fun.  I always had to keep the ultimate goal in the forefront of my brain, though,  because it was too easy to start slipping in the emotions and desires of the characters. I needed to save the world, not the individual characters! Once I made the switch to romantic fiction, I was able to do what I loved doing and wish I could have done with the other books: delve into the characters.

Plot drive books have a lot of action. They need to because SOMETHING needs to propel the book forward and keep you turning the pages. Action adventure movies are typically plot driven. Not a great deal of time or effort is put into developing the characters. Instead, the big money is spent on the special effects and the blowing up of things. By the way, I know that last sentence sounds a little snarky,but it’s not meant to be. I actually enjoy action adventure movies. I just don’t enjoy reading them as much as watching them.

So if you’re basically a plot driven writer, good for you!  Keep that action flowing, save the universe and defeat the bad guys.  Or, if you’re plot driven and you write romance, make that surprise baby REALLY a surprise – even to the mom! Save that damsel from the international jewel theft ring. Make those two opposite personalities have to marry to save the family business. Just don’t forget that the ultimate goal once you have written all that is for the happily ever after.

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Casts of Characters.

“It begins with a character, usually, and once he stands up on his feet and begins to move, all I can do is trot along behind him with a paper and pencil trying to keep up long enough to put down what he says and does.”
William Faulkner

In my humble opinion, this is a great quote, and it describes how I go about writing a story. For me, it begins, ends, and is 99% about, the characters. I couldn’t write a story without my imaginary peeps first coming on board.

From the time I was a young girl, probably 6 or 7 years old, I LOVED people watching and  listening. Whenever I went somewhere, be it the grocery store, a movie theater, a department store, or even just to the park or library, I was fascinated with watching people interact with one another, and individually.

I’m still that way.  Some would call it nosey. I call it being in love with human beings and wanting to know all about them. Everything.

Ok, so maybe that is a little nosey.

Anyway. I remember being 10 and being in the bank, on line with my grandmother, waiting for our turn at the teller’s window. There was an elderly lady behind us who had what must have been a companion with her. The older woman was very mean spirited and sharp tongued, continually complaining to the companion about things she’d done wrong that morning from how  poorly she’d cooked the old lady’s breakfast, to the way her clothes felt as if they hadn’t been put in fabric softener when washed. To hear the old bat tell it, the collective problems of the world rested on this young woman’s shoulders and had been caused by her. Even back then I was a champion of mistreated people and I longed to turn around and say something nasty to the old woman, but I knew if I did my grandmother would slap me upside my head faster than a hummingbird’s wings flapping, so I kept my comments to myself. Instead, I turned around and looked at the person being verbally smashed. She was pretty, quiet, and had the most amazing closed mouth smile I had ever seen. I remember thinking she looked like the Virgin Mary – serene and tranquil.

Now, a 150 years later ( kidding. Close, but kidding) my writer’s brain has  tried to imagine just what that lovely lady could have been thinking to block all the vituperative comments being hurled at her. Maybe the old lady was going to leave her a gazillion dollars in her will and she was thinking of the day she’d get to spend it; maybe she was envisioning the next time she would see her secret lover  who was waiting for her to get off work and come to him. I tend to think she was conjuring ways to shut the mean old lady’s mouth. Permanently. Whatever it was, her face and the situation has been stuck in my memory bank for all these years and I know one day I will base a character on her.

Since I write romance novels primarily now, I know how my stories will end and what the plot will be. The characters are the impetus for me, the parts of the story  I must find and learn about. I’ve been to conferences where I’ve been instructed to write complete and detailed character profiles before I ever type a word on the page. Other courses have suggested that I conduct character interviews with my potential peeps to find out what makes them tick and why they would be good candidates for my story. One multi-published author at a recent conference stated emphatically that you shouldn’t even name your characters until you have written at least 100 pages in your novel. Just refer to them along the way as hero, heroine, sidekick, villain etc. Ok, I think it’s safe to say I am not going to be doing that one. It’s just too out there for me to even consider. Sorry, multi-published author. And you know who you are.

For me, it’s pretty simple. I come up with the names of my hero and heroine first. Once I have the names I troll Google images and find people that look like the names I’ve come up with. For instance, I wrote a story about a guy with jet black hair and blue eyes. I found an old picture of Christopher Reeve ( Superman) and bingo – he was the archetype for my hero. All my descriptions of the hero were then based on Super– I mean, Christopher Reeve. After I know their names and what they look like, I figure out the conflict between the two of them. Once that’s done, I roughly plot out the story, scene by scene. This plot isn’t written in stone and I do modify it along the way if I think something better will work. But my goal is to move those two characters around as much as possible into each other’s way until they realize they love one another.

Then I type THE END.

Okay, so it’s really not that simple. But it is safe to say that the last 15 novels I’ve written were all character driven. I love these people. I sweat for them.  I want them to wind up together for eternity, happy and secure in life and love. Since I’m so invested in them, it stands to reason that they  – the characters – are what motivates me to tell their stories.

They drive me to write. Plan and simple.

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Character? Plot? Setting? What drives your writing?

I mentioned in an earlier blog that I’ve been re-reading some of the books I consider ‘Bibles’ for writing and writers. One of them is Karen S. Wiesner’s book Writing The Fiction Series . In it, she sets forth the mechanisms you can use for writing a series of books. The series can be based on the characters that reappear in each book, they can revolve around a quest that threads through each book, whatever connects them all can be considered a continual series.

One of the questions she asks the author to think about when envisioning a series of books is whether they are character, plot or setting driven, and which format the author himself/herself uses. This got me thinking about they way I write my books. In the past I did mostly stand alones, or one and dones. The story ended on the last page. Once I started writing romance novels, I realized there were so many fun and wonderful characters  drifting on the page that had their own stories, that I knew I needed to start writing them down. I currently have two separate series in production, both involving multi-member families and story lines. So, to answer the question are they character, plot or setting driven, I’d need to say character for the most part. Although all three facets must come into play for a cohesive and interesting book, most of the time when I write a romance I find my characters first and move through their development above all else.

The basic – and I mean BASIC – plot line of every romance novel is that the hero and heroine get together in the end, find that they love one another, and live happily ever after ( HEA ). Like I said: basic. Most romance plots are really much more than that, but if you start with that core nugget, you are golden. In both of the series I am currently working on, love and dependence on family is the central theme. Mixed into that theme are various subplots and  topics dealing with stalking, cooking, television  production, ice skating and veterinary medicine.

I know. But, it’s me, so remember that.

Family stories are great to write about because there are so many varied dynamics in each one. Birth order always plays a big role for me with my characters. Since I am an only and married a man with a clan, I love the idea of who is what in the family food chain. Which sib is the closer? Who is the baby – and it doesn’t necessarily mean the last to be born. Which kid is the pleaser? The go-between? The fighter? The people pleaser? And where do they fall in the order of their  birth? With a large family, you can find so many different ways to tell each individual’s love story and how it effects the family as a whole unit.

For the next several blogs I’ll be breaking down each facet : character, plot and setting –  for how to develop a book series, with some advice from Ms. Wiesner thrown in along the way.

 

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HEA?

What, exactly, does happily ever after mean?

It’s written as the last line of every fairy tale; it has its own acronym – HEA – in the romance writing world, and every English speaking girl and boy has heard it when read a bedtime story.

But what does it really mean? Does HEA happen and then the hero and the heroine NEVER go through another bad moment for the rest of their lives? They live on the wings of their love for evermore, never to have a bad day or  a moment that’s not filled with undying bliss?

Does it mean never to grow old and complacent with one another? Never take the other for granted, or become so dependent upon the other that you lose you own identity?

Does the happily ever after take into account how the hero and heroine’s lives are changed forever when they have kids? No longer allowed to sleep through the night because of feeding schedules, diaper changes, midnight upset tummies and bathroom accidents? Not to mention all the childhood illnesses and traumas that come hand in hand with child rearing. And don’t get me started on the teen years.

Does the HEA provide for lost jobs, school tuition bills, mortgages and braces? Aging parents and no health insurance?

I think for me, as a romance reader and writer, the HEA that comes at the end of the story, is not the end of the story, but the beginning of two lives filled with all of the above.

And a lot more.

The easiest way to explain myself is to simply refer to my own life.

When I found my HEA and married the love of my life, we moved away, right away. We were now geographically far from family, friends, secure jobs and the lives we’d made for ourselves where we’d been. Skype hadn’t been invented, and there was no such thing as a cell or mobile phone yet.

No, this wasn’t the Stone Age, just the 80’s.

We were entirely dependent on the two us, alone. Weekly phone calls to family were the norm, but the friends began to wax and wane, too involved in their own lives to devote much time to catching up.

To say I was lonely in the beginning would be to underscore the situation. Hubby was at work all day, while I was looking actively for employment, not an easy feat in a small, rural upper mid-west town.

Many things could have affected our relationship at that time. The isolation, loneliness, dependency on just the other for emotional, spiritual, and varied kinds of support, could have led to a negative outcome for our marriage. The saying “familiarity breeds contempt” has some backbone to it.

But it didn’t because we had each other and knew we only had each other. I’ve always thought that being taken away from family, friends and familiarity could either make or break a young marriage.

It made mine. Totally.

When you have just one person – a person you love without end – in your corner all the way, all day and every day, your HEA can’t help but come true, despite the outside influences that topple into your lives on a continual basis.

You’re forced to talk to one another, lean on the other, seek advice from the other and just plain interact with the other. You must support one another in any way, and every way, possible. In its simplest form, you’ve only got one another. From this, bonds can be tightly formed.

Everlasting bonds. Happily Ever After bonds.

So, when you come to  the last page of that romance novel, and the hero and heroine have declared their love and desire to be together for eternity, believe it. Because those kinds of HEA’s do come true. Every day.

And for ordinary people, too, not just fictional characters.

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Ideas…I’ve got a million of ’em…

While I was working on my current WIP today, I got sidelined by an idea that wouldn’t go away. I kept shushing it, telling it I would get to it eventually, but I wanted to get my word count in for the day first. Damn idea wouldn’t shut up. It forced me to stop working on what I should have been working on and forced me to pay attention to it.

For two entire hours.

I hate getting sidetracked by pushy ideas.

This usually happens to me when I am deeply asleep, huddled under the comforter, blanketed by warmth and dreams. All of a sudden I will be shot bolt upright, a pushy idea running through the front of my brain, waking me up in a heartbeat and demanding attention. It’s like that sick little kid who comes into your room in the dead of night, wakes you up because he needs to throw up, does, and then goes back to sweet slumber while you are now forced wide awake for the rest of the night.

I used to not get up and write the ideas down. I figured I’d remember them in the morning. Not so much, really. What I did remember when I woke was that I’d had a great idea in the middle of the night but now I couldn’t remember it for the life of me.

That got old really fast so I started getting up and writing the damn things down. Then, and only then, would I be able to get back to sleep. When I woke up in the morning, I could remember not a thing, but I had the brilliant idea written down, so, yea!

But now my waking hours are being intruded upon, and I only have so many of them to devote to writing that I am starting to really get annoyed with these pushy, must be dealt with right now  ideas.

Think Ritalin would help?

You’re right: probably not. Oh well. At least I can sleep again.

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Filed under Author, Characters, Contemporary Romance, Life challenges, love, Romance, Romance Books, Strong Women

The 10 character challenge

A few days  ago I posted a challenge, asking you for the 10 books that changed, or impacted your lives. It’s the character’s time.

List 10 – I don’t care about the male/female split – of your most memorable characters from fiction. They can be villians,  heroes, heroines, secondary characters. I don’t care. Which ones made an impact on you and, briefly, why.

Here are mine in no order.

1. Rhett Bulter.   Gone with the Wind. The original fictional alpha male . When he carries Scarlett up that staircase, oh, Mama!

2. Roarke. the JD Robb In Death Series. Owns the galaxy. Loves Eve Dallas. Survived Every bad thing that ever happened to him. Plus, he’s Irish.

3. Eve Dallas.  the JD Robb In Death Series. The most kick-ass heroine with a tender heart you will ever meet.

4. Laura Ingalls before she was Wilder. The Little House On the Prairie Series. I always wanted to live on the prairie.

5  Elizabeth Bennet. Pride and Prejudice.  It’s so tough being the second, not so attractive sister, but Lizzy did well for herself.

6. Atticus Finch. To Kill a Mockingbird. When I was little, he was the embodiment  of what I  wanted in a father.

7.Madeline. The Madeline books by Ludwig Bemelman because really, she lived in Paris! In a convent! And had such cool adventures.

8. Nancy Drew.  The Nancy Drew Mystery Books. She drove a Corvair. Enough said.

9. Jake Brigance. A Time To Kill. Second best lawyer portrayal after Atticus Finch. Plus, he’s hunky, a southern boy, and loves his wife and dog.

10. Elinor Dashwood. Sense and Sensibility. The oldest, not as beautiful daughter with a heart of gold, a steel core and a hopeless romantic.

Those are my 10.  If you don’t recognize a name, click on it and it will take you to a link, describing the character.

Now, what are your 10 most influential fictional characters??

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The 10 Book Challenge

Recently on Facebook, I’ve seen several posts about people who have been challenged by friends and family to list 10 books that changed their lives. No one has challenged me, but I think this is a great blog topic, so here goes.

The 10 books that have had a profound impact on me during my life are – in no particular order:

1. The Little Engine That Could by Watty Piper. Best book about self actualization ever written.

2. The Wizard of Oz ( Dorothy’ Adventures in Oz)  by Frank L Baum. Because there really is no place like home.

3. Irish Thoroughbred by Nora Roberts. First Nora I ever read. This story and this writer gave me my love of romantic fiction.

4. Shanna by Kathleen Woodiwiss.  First romance with actual sex in it I ever read. Quite an education, in addition to being a great story.

5. The 7 Habits of Highly Effective People by Steven Covey. Helped me focus on the goals I wanted to attain during my lifetime.

6. Gone with the Wind by Margaret Mitchell. In my opinion, the most perfect book ever written.

7. To Kill A Mockingbird by Harper Lee. As a child raised in the 1960’s and 70’s, this book brought home the meaning of racial inequality like no other to me.

8.  The Oxford American Dictionary. Hello! It’s filled with WORDS!! Fabulous words!!

9. The Bible. This one needs no explanation.

10. Become a Better You by Joel Osteen. This book really did help make me a better person.

So, what are the books that have influenced you?

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Filed under Author, Characters, Contemporary Romance, Family Saga, Literary characters, Romance

Conference Chatter and Advice

Today was a chock-full day of information, advice, and networking.

In one session I  learned several tricks and tips for being a faster, more effective writer in a limited time span. This was a great class for me because I am not afforded the pleasure of being able to write full time yet. I still work away from the laptop at another job and my sitting at the desk writing time is limited. This class gave me some techniques for getting more words on the page at a faster rate and during unusual time frames that I wouldn’t have thought of, such as on lunch hours from work.

At another session with a behavioral psychologist, I was introduced to a concept called dialogue cues. These are useful, powerful words and phrasing that gives your writing emotional punch and gets it to the next level necessary for publication.

I attended a character class with writer Susan Elizabeth Phillips, in which we were taught how to describe our plots by using our characters and showing how their personalities relate to the plot and story line. This was a very good class for getting me to think about the show don’t tell aspect of writing that is relentlessly drilled into writers.

But the best part of the day? A chat with Nora Roberts. For an hour she fielded questions from the audience, and she actually called on me twice!! I was in heaven. Literally. Literary heaven.

I go to sleep tonight full of new techniques to employ for my writing, and ideas just swimming around in my head.

Tomorrow is another full day.

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Filed under Characters, Contemporary Romance, Dialogue, Editors, RWA

Characters into real People, Part 3

Flaws, habits and idiosyncratic mannerisms. When you see these words do you immediately think of them as negative descriptions? You can, but you shouldn’t, because these are all facets of normal human behavior. And normal human behavior is what you want your characters to exhibit on the page. Unless of course you’re writing about lycans, vampires, or aliens from outer space that don’t exhibit normal human behavior.  And even then, I’m sure those subspecies have their own foibles, et al, indicative of their own, well, species.

Every person is unique, as is every character you develop. One dimensional characters are not fun to read, they are boring. Very boring. Ever notice that in every fairy tale from Sleeping Beauty to Cinderella to Snow White we never get to know the handsome prince who saves our girl from witches, evil stepmothers, and evil stepmothers who are witches? That’s because the storytellers didn’t want the guys’s true natures made known, because they’re perfect. Boringly perfect. Rich – they’re all Princes, after all, of huge kingdoms – handsome – because non attractive guys could never get a girl – and brave – they all slay dragons and fight evil daily. Nothing ever happens after the words And they lived happily ever after. You never hear about the fact that Cinderella now had to cater to her Prince and clean his castle, substituting one kind of indentured servitude for another; or that Snow White’s guy actually liked apples and didn’t want any other fruit brought into the palace – much to her chagrin. Apple pies, apple tarts,  apple butter yadayadyada. She couldn’t get away from them. And don’t get me stared on Sleeping Beauty’s guy and his unnatural predilection for dragons. No, these guys were all one dimensional. They basically had no substance, no occupation, other than to save our princess,  so we never heard about them after they did. ( My apologies to the Grimm Brothers who are probably rolling over in their five hundred year old graves right about now.)

So far I’ve talked about dialogue and speech patterns to try and  make your characters sound believable.  Today, I’ll talk about how to show they’re believable, and this is through they’re behavior.

We all know people who have little habits that drive us crazy. Tooth picking, throat clearing, feet tapping, you name it. I have terrible habits of talking with my hands ( raised in an Irish/Sicilian household- go figure) and for interrupting people. The first is okay. The second is absolutely annoying to people and I know that in my heart and mind, but I’m damned if I can do anything about it. What can your characters do to distinguish themselves, habit-wise, when you write about them? It doesn’t have to an annoying habit, like mine. It can be that your heroine bites her bottom lip when she is nervous, or your alpha male hero dislikes – really dislikes – being told what to do, and flares his nostrils when he is pissed. ( Sounds a little dragon-like, doesn’t it??)

By flaws I don’t mean one eye is smaller than the other ( like me!) but character flaws. Little bits of behavior, thoughts, and actions that tell you this person is not perfect. Far from it. For instance, your heroine is basically a nice person and always volunteers to help others, but just this once she really wishes you wouldn’t ask her to drive the meals on wheels car just because you have a hot date and she doesn’t. Two flaws here by the way : a little jealousy ( she has a date, your character does not) and a little pettiness.

Idiosyncratic mannerisms are little actions  particular to your individual characters that no one else in your story does. Again, I’ll use myself as an example. I check my watch. Often. Sometimes, every minute. This used to really annoy my father-in-law because he said it made it look like I had to be somewhere else and was just biding my time, and also that it was just plain rude. I totally agreed so I stopped wearing a watch. Now I check my phone. Often. Sometimes, every minute. My idiosyncrasy is time. I am consumed with it. No one else in my sphere is time obsessed like I am. I own that one.  Does your character snort when he laughs? Does she play with her hair, unconsciously, all the time? These mannerisms can be used to define your character and give them depth.

And if a character has depth, they are believable, and believable characters come across as Real People.

 

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