Tag Archives: Dialogue

A question of personality….

My daughter – just for fun, mind you – performed a personality profile on me the other day. This is the link to that profile: http://www.personalitypage.com/ISFJ.html. Apparently, I am typed as THE NURTURER. I am introverted, use my five senses to coordinate through life, feel a great deal of emotion about things, and am judgmental.

Uh – BINGO!

Part of the profile states, “has a rich inner world that is not usually obvious to observers. They( nurturers) constantly take in information about people and situations that is personally important to them, and store it away.”

Uh – BINGO, again!

Hellooooo!  Doesn’t this description sound like a writer to you??

As a pysch major, I know the value I put in my character’s motivations, feelings, habits, and lifestyle decisions. Every action has a meaning, reason, and reaction and it’s my job to keep them all spinning in the air on the page so the reader is entertained and the characters are ultimately fulfilled. But just like people, every character has his/her own distinct personality. And again, it’s my job to know every facet of the character, every flaw, every quirk, every subtle nuance that makes them, well, them.

When I used to write mysteries, I did detailed character profiles, especially for my villains. I needed to know exactly why they were doing what they were doing – namely, murdering people. Since I am not a murderer myself ( thank you, Jesus!), I needed to know what goes into the psychological makeup of a person that would entice them and then compel them to kill another human being. I had to dissect their internal motivations, compulsions, and desires to find the one fatal piece of their internal makeup that could enable them to take a life.

At the time I read extensively on the “Killer’s Mind.” Book after book, page after page of forensic psychology on why killers kill. It was a dark time in my mind and I think it showed in the kind of work I was producing. When I found myself going to dark places in my head once too ofter, I stopped writing for while. Or in this case, about five years.

Then I started writing happy things again like romances. Believe me, my brain – and my family – thank me daily.

Even though I am no longer writing about people who have slunk low on the  humanity scale, I still need to  know who my characters are. So I still do mini psych profiles of them in order to get inside their heads while they are inside mine.

Okay, this is starting to sound like a Stephen King book premise….but I think you get my drift.

You can find many personality profiles on line if you like arm chair psych-pop, but you can also get insights from a few well known books as well. My three favs are:

Writer’s Guide to Character traits, by Linda N. Edelstein, PH.d

A Writer’s Guide to Characterization, by Victoria Lynn Schmidt

45 Master Characters, also by Victoria Lynn Schmidt,

You will get a wealth of knowledge and insights into internal and external motivations for characters’ responses, as well as an ability to track and assign personality traits to your characters, if you are in need of that knowledge.

Oh, and my own personality profile – the one I listed at the top of this page – it was spot-on accurate. You might want to click around on the link and find out how you are characterized, and discover just what it is exactly that makes you tick.

Eyeopening is a good way to describe how I felt when I read mine through. Eyeopening and maybe just a tad frightening as well.

 

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No, it doesn’t take a village; it takes a …..library

 

There’s an old adage in surgery that goes “you see one, you do, you teach one.” Hey, why do you think they call it the “Practice of medicine?” Why am I telling you this medical saying when I usually blog about writing? I’m glad you asked.

No one can actually teach you how to write. You either have the innate, God-give talent, the desire to create pictures with words on the page, the all consuming need to tell your stories, intrinsically. It must be a part of your makeup, your creative DNA, so to speak. No, the talent of writing can’t be taught.

But you can learn the mechanics.

I’m a much better writer today than I was even yesterday ( and the years before) because of books and manuals I’ve studied which have helped and foster my ability to write.

I’ll admit I’m not the best speller in the world, sometimes my tenses get mixed up and I often tell you more than I show you in my stories.

But…

All those things can be taught, improved upon, and ultimately make you a better conveyor of the stories you need to tell.

I’ve listed some of my all time favorite manuals/books here; the ones that I’ve devoured and have helped me become a better writer, and which have helped me find the road to publication a little easier. If publication is your goal, you will not get past the very first reader/agent/editor, if your craft is shoddy and unpolished. Your work must be clean, mistake-free, and tell the reader/agent/editor that you are a writing force to be reckoned with.

Even the best and most prolific writers in the world need a refresher course every now and again.

Here’s my list. See if some of yours are on it. And let me now your favorites if you don’t them listed here.

G.G.C. Goal, Motivation and Conflict  by Debra Dixon

The Emotion Thesaurus, by Angela Ackerman and Becca Puglisi

Writing the Synopsis by Pam McCutcheon

Show, Don’t Tell by William Noble

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Finding the funny…

There are times when I wonder why I can’t write as fast as I can think, and others when I wish I was a funnier writer.

I’m considered a wise-ass by most people who know me, and I won’t deny that descriptor at all. I can be bitingly sarcastic – but never cruel – and I’ve been known to make grown women  leave a dinner table and head for the ladies room just so they won’t pee in their pants from laughing.

I can be quick, biting, snarky, and sometimes guffaw-able, in real life.

But on the page, I die to find the funny.

Most humor is based on tragedy, or so the saying goes. Most of my humor is found in dumbass situations that happen everyday in my life. The Lucille Ball moments we all have at one time or another.

But when I’ve got characters I want to invest a little humor in, I’m lost.

Most of us know at least one person, an uncle, a friend, even a co-worker, who can take any situation and see the humor in it enough to make everyone around them laugh. These people are usually the “best-friends” in novels, like the Rosie O’Donnell character in Sleepless in Seattle. Always ready with a witticism – usually spot on and deadly – about whatever is occurring in the scene at hand. These characters lighten the mood, add realism to the situations in the book, and generally are well liked by readers.

Why, oh why, then, can I not write that person??

I’ve tried; believe me. The humor I’ve given my peeps sounds flat on the page and not funny at all. Writers like Jill Shalvis and Janet Evanovich can make me laugh out loud when I’m reading their work. I don’t think I’ve ever laughed at anything I’ve tried to write as funny.

I think it was famed actor Edmund Kean who said, “Dying (Tragedy) is easy; comedy is hard.”

Yup. Truth.

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Putting the “NO” in NaNoWriMo.

Day 3 of NaNoWriMo (National Novel Writing Month)  has just finished for me. I am at 9716 words – not bad considering I had to work at my real paying job today. I don’t’ want to get boggled down in the numbers game, though,  because for me the real reason to do this challenge is to get into the habit of writing constructively every day. EVERY. SINGLE. DAY.

This challenge is the impetus many writers need to get them going, motivated, and excited about the task at hand: namely, writing the book of their heart. As writers, it is really important we write every day to keep our creative mind active and productive. I heard Nora Roberts explain it this way at conference recently. She was asked if she ever takes a vacation from writing. Her reply is why she is one of the greatest authors of all time. And one of the most prolific. She said, “Your writing is like a muscle. If you don’t work a muscle, if you don’t use it all the time, it starts to get weak and can deteriorate and even die.”

Wow.

Best analogy I’d ever heard for why writing every day is a must. I’ve mentioned before I write every day, whether it’s my blog, my WIP or even just editing some work I’ve already “finished.” To me, not writing is like not eating – I don’t think I could live if I didn’t do it!

So day 4 is about to start. Target goal today is at least 2500 words. Check back later to see if I made my goal.

Or exceeded it.

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Filed under Author, Characters, Contemporary Romance, Dialogue, Life challenges, Romance, Romance Books, Strong Women

A Visit with Author Susan A. Wall

In celebration of National Novel Writing Month, or NANOWRIMO for short, I’d like to welcome multipublished author Susan A. Wall today as my guest blogger. I was lucky to meet Susan at a meeting of my local NHRWA chapter last year and I was immediately drawn to her. Her sense of humor ( bawdy and quick) coupled with her writing talent ( visit her website for a complete list of her extensive publications) and the fact that she loves purple and  Bon Jovi ( sigh!), made her someone I wanted to know. And I’m so glad I do. She’s blogging today about – what else?- NANOWRIMO. Her advice about, and insights into, the challenge are a worthwhile read. So without further ado…..here’s Susan!

                            Happy NaNoWriMo!!

No, that’s not some crazy alien greeting! It means us writers are in the midst of National Novel Writing Month, 30 days and night of literary abandon!

Every November, millions of writers put butts in chairs, fingers to keyboards, and ignore all other responsibility in an effort to write 50,000 words of a first draft novel.

Sound crazy? Maybe a little bit, but when you break down the numbers, it’s not so daunting.

I’m not a math whiz, but doing some simple calculations makes the goal of writing 50,000 words in 30 days seem doable. Let’s do some simple division.

50,000 words divided by 30 days equals 1667 words a day. 1667. That doesn’t sound so bad, right? But what does that look like on the page?

title

 

In MS Word, using the default ‘normal’ setting which is Times New Roman, 11 point, one inch margins and 1.15 line spacing, 1667 words is less than 3 pages.

Less than 3 pages! That doesn’t sound so daunting, does it? Can you write 3 pages a day? The only answer is, YES, you absolutely can.

Let’s be clear on what these 3 pages are.

Yes, NaNoWriMo is National Novel Writing Month, but the goal isn’t to write a beautifully polished, ready for publication novel in 30 days. If you can do that, Kudos to you, and I now worship the ground you walk on. For us mere mortals, no one, absolutely no one who matters, is expecting you to write a perfectly polished novel in 30 days. The point of NaNoWriMo is to write a first draft of a novel.

It’s okay to write garbage or complete and total crap. You’ll have time later to correct your grammar and spelling, to find all those redundant words, to put in the appropriate dialogue tags or hair color or weather or fragrance. If you can’t remember whether Sergei has green eyes or blue eyes, don’t worry about it. Fix it later. The goal now is to write. Write like the crazy person you are.

So you may be wondering whether I’m a plotter or pantser? By nature, I’m a pantser. I tried plotting once and my characters didn’t like the path I planned for them, so from day 1, they forged their own. I went with it. This is my 4th year participating in NaNoWriMo and I’m writing my very first romantic suspense titled Broken Strings. Since romantic suspense is a genre I’ve never written before, I’ve done a lot of planning. I’ve drafted the backstory for the hero, heroine, villain, and detective and come up with the premise and a list of horrible things that happen. I found myself wanting to outline, so I did and I’ve got the outline all plotted out in Scrivener. But (there’s always a big ole but) if once I start writing the story goes in a different direction, I’m okay with that. The plot is just Plan B.

 

Untitled  Are you curious about the story? Here’s the premise:

Best friends since college, witty and guarded Colleen Cooper and misguided playboy Jake Donovan have both sold out to propel Jake’s music career, but now they are trying to find success on their own terms. As a radio station DJ, Colleen has finally made a name for herself, but when Jake offers her the opportunity of a lifetime her own self-doubt and the anonymous threats she can’t escape have her second-guessing her qualifications and ability. Jake will do anything to prove to Colleen that he’s worth taking a chance on, but when the women around him start turning up dead, his reputation makes him the prime person of interest in the investigation, threatening his career and his future with Colleen.

I’ve had a successful history with NaNoWriMo. My first year, I wrote Too Many Daughters, a women’s fiction novel about three women who are all dealing with the loss of their fathers in very different but equally self-destructive ways and it is through their newly forged friendship that they finally start to heal. I wrote this story in just 20 days and I am hoping it finally goes to print next year.

My second year, I wrote The Sound of Circumstance, the 5th novel in my Puget Sound ~ Alive With Love contemporary romance series. This is the novel I plotted but the characters would have nothing to do with that plot and it went in an unexpected direction. I achieved 50,000 words in just 12 days. I swear that book wrote itself! In this story, Owen and Stacie must finally conquer the demons of their past in order to find the happily ever after they both so desperately want with each other. This book will be released in just a couple of months.

suanLast year, my third year, I opted not to plot and wrote The Sound of Reluctance, which will be the 6th book in my Puget Sound ~ Alive With Love series. I had major surgery mid-month, so it took me all 30 days to finish, but finish I did. In this story, lawyer Keith Nightingale visits Seattle to check up on his little sister. He doesn’t plan on meeting Holly Dion, a nursing student with a harsh past. He’s reluctant to get involved with a client, but can’t deny the way she makes his heart race. The emotional scars from Holly’s abusive ex-boyfriend have her worried that her attraction to Keith is more knight in shining armor than true love.

So that’s my NaNoWriMo experience in a nutshell. My life is crazy, but I was able to write these drafts by setting goals and making writing my priority. Do that and you’ll have a successful writing month!!

If you are participating in NaNoWriMo, I invite you to be one of my buddy’s (search for sawall) and I wish you the best of luck in writing with literary abandon!

Here’s a little treat, a snippet of the opening scene of my 2014 NaNoWriMo novel Broken Strings (you can read the opening lines that precede this part at Delilah Devlin’s blog):

Devon spun the gun around in his hand before offering it to her grip first. Colleen snagged the small weapon from his large hand and shoved it back into the holster clipped to her spandex shorts.

“Let me give you a ride home before you wreak more havoc in the park.”

Colleen turned away. “I ran here, I can run home.”

“Don’t argue with me. You terrified that couple when you pulled your gun and you’re lucky they aren’t pressing charges.”

“I’m lucky?” Colleen argued, turning back to him. “That woman ought to be thanking me for coming along when I did. Who knows what her boyfriend might have done to her if I hadn’t.”

“Couples argue. It doesn’t mean it will escalate to assault.”

She knew that, but her past made her a little … paranoid? Skiddish?

Defensive.

Yeah, that was a good descriptor and made her seem less crazy.

She stepped away, focusing on keeping her steps at a moderate pace, only to realize she was heading in the opposite direction from her apartment.

“Get in the damn car, Colleen.” The commanding tone of Devon’s voice was all cop, making her feel as if she was some criminal being detained. The couple she’d pulled the gun on stared at her, fear tightening the woman’s expression, annoyance the man’s. The woman still stood with her arms crossed and Colleen wondered what the source of the fear was. Intuition – maybe experience – told her the man was the source, but now that the adrenaline wasn’t assaulting Colleen any longer, she acknowledged pulling the gun on the couple could be what had scared the woman.

Colleen didn’t have a murderous bone in her body. Carrying the gun was a tool for self-preservation. It was loaded, but she doubted she could fire it at a person even if the situation called for such a thing. She turned away from the couple, surrendering to Devon’s command.

Holding the door, he gave Colleen space as she climbed into his badass black SUV. Everything about the man screamed cop, from the cropped haircut to the stiff posture beneath his department store suit, to the pimped out Tahoe.

As he put the cop-mobile in gear, the adrenaline plummeted and Colleen’s worst fears claimed her. She’d held it all at bay until now, knowing the panic attack was inevitable. Having it in Devon’s car was beyond humiliating.

“Just breathe through it,” he said, the commanding voice gone, replaced with something so much worse. The cop was easy to hate. The empathetic guy she’d once cared about, not so much.

“I don’t … need … your help,” she managed between gasps.

You can read more of this scene over at Susan’s blog on November 4th!

suasnwall     Big dreamer and certifiable overachiever Susan Ann Wall embraces life at full speed and volume. She’s a beer                                                             and tea snob, can be bribed with dark chocolate, and the #1 thing on her bucket list is to be the center of a Bon                                                           Jovi flash mob.

Susan is a multi-genre author of racy, rule-breaking romance, women’s fiction, and erotic fiction (her erotic titles are published as Ann Victor). Her bragging rights include nine books in three different series, three perfect children, and a happily ever after with her Hero Husband that started while serving in the U.S. Army and has spanned nearly two decades (which is crazy since she’s not a day over 29).

In her next life, Susan plans to be a 5 foot 10, size 8 rock star married to a chiropractor and will not be terrified of large bridges, spiders, or quiet people (shiver). She’s a member of NHRWA, RWA-WF, RomVets, NHWP, NEIW, and WREN.

Her latest releases include The Sound of Deception (4th novel in her Puget Sound ~ Alive With Love contemporary romance series) and Quitting the Boss (3rd novella in Ann Victor’s Behind Office Doors erotic series), available in paperback and all ebook formats.

 

wall wall2

Websites: http://www.susanannwall.com and www.annvictor.com

Facebook: Author Susan Ann Wall and Ann Victor Author

Twitter: @susanannwall and @annvictorauthor

www.goodreads.com/susanannwall

 

 

 

 

 

 

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The subjectivity of writing.

It never ceases to amaze me how SUBJECTIVE writing can be. Case in point: contest judging reports and scores.

I have entered my fair share of romance contests, basically because it is an easy way to get your work in front of industry people. And hey, if they like it, you may not only win, but get a call from a publisher. This is what happened to me and why my first romance novel will be coming up for sale soon. But more about that in a later blog.

Recently, I was a finalist in a major writing competition. Major. Which was thrilling enough. Now, I didn’t win, which is fine, but when I got my scores back it almost looked like two different entries were judged. One score was a solid A, the second barely a C.

Same piece of writing.

The comments on the score sheets were diametrically opposed as well, with one person telling me how they were engaged from the first paragraph, the second stating I spent too much time on backstory ( 1 Paragraph!) and my characters were wooden. Reader one told me the characters and dialogue were life-like. Reader two wrote that I needed to listen to how people spoke in real life to get a better feel for dialogue.

Crazy!

I wonder if this abject subjectivity is  one of the reasons so many novelists are self publishing these days. I’ve read some AMAZING self published books and wondered why in heck they weren’t represented by a major 5 house. I’ve also read some terrrrrrrrrible self pub’d books and known why they weren’t.

That subjectivity is mine, I realize that, but I cross genres in romance. I like to read Regency, Paranormal, Contemporary and Suspense. If the story is sound, the plot captivating and the characters relatable, it shouldn’t matter what the genre is, if the book is good.

So, back to the contest scores.

I’m done entering contests for now. I need to devote myself to the edits that are coming my way from my publisher and editor ( and don’t I love saying that!). But for all the writers who are still entering contests in the hopes of capturing a publisher’s or and editor’s eye – DON’T STOP. Even though subjectivity may abound, if the overall scores are consistent and the critiques worthwhile, this is a valuable way to get your work seen and to receive – usually – valid feedback.

I’m still wondering if my scores were mixed up. Oh well.

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There is nothing wrong with me…honest!

I was sitting in a restaurant recently when a  good looking couple came in. Really good looking. Like, cover of a book good looking. I started to describe them in my head as if I was describing them on the page in one of my stories. I came up with a full range of detailed mental description as I sat there, staring off into space. Finally, after what was probably a few minutes, my husband asked if anything was wrong. I asked why and he replied “you were gone away for a while.”

Does this ever happen to you? You’re talking with someone, or people watching – my second favorite pastime – and in the next instant you’re off, engrossed in your WIP, ignoring anything and everything around you?

Happens to me all the time.

I plotted my third book while I was sitting in church, supposedly listening to the Homily. In all fairness, it was a really boring Homily.

I ran plot lines in my head while recently at a conference for the visually impaired. Thank goodness that one had handouts, or I wouldn’t have known what was said!

I was watching the news yesterday and a dialogue point I’d been trying to solve burst into my head, full blown and perfect.

I tend to pop out mentally at parties, during car rides, sometimes even on the phone.

A few weeks ago I was standing in line at the bank and the teller had to call me three times before I responded. She probably thought I was having some kind of silent seizure.

In medieval days it’s safe to say I would have been burned at the stake as a witch.

Decades ago, I might have been diagnosed with untreated psychosis or schizoaffective disorder.

Today the shrinks would say I have ADHD as an adult and want to medicate me.

Naaaaaahhh!

I’m just a writer, and thinking – a lot – is what I do.

So if you see me and you think I’m loosing it, staring off into space, maybe my lips are moving, don’t be concerned. I’m probably running dialogue in my head and I’m saying  it aloud so I can make sure it sounds legit.

Don’t be concerned. I’m okay. Honest……

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Advice…it’s not for the faint of heart

What advice would you give to a newbie or struggling writer?

I  have to admit I don’t usually give advice because I hate to GET advice, but this one I’ll answer.

I started writing when I learned to read. Really. When I was a kid I wrote stories about kids who were kidnapped by adults who wanted them to have a better life. They were brought to an island and given an unlimited supply of love, cookies, books and pets.

Yeah, I know. But I was a kid.

Throughout college and in my early nursing career, I wrote many articles for trade nursing magazines and publications.

When I became a parent I wrote many articles on child rearing and children’s issues. I had two children’s  fiction books published at this time.

In my 40’s and early fifties, I started writing articles on women’s health care, eye care, and general aging care. Hey, write what you know;  you know?!

Throughout all this non-fiction writing and publication, I also wrote adult fiction. It started with mystery novels, morphed into suspense that grew into romantic suspense and then finally just romance.

It is safe to say that I have been writing for 48 years. This year when I turn 55 years old, I will have my very first contemporary romance published.

The point of all this lead up is that I never, ever gave up writing.

Not during the years I didn’t have anything published and no one would look at or represent my stuff.

Not during the times when I had NO time to write.

Not during the moments of supreme self doubt that I could even string a written sentence together to be understood by others.

I kept writing, hoping, wishing and planning.

This year it will all pay off.

So here’s my advice to newbie and/or struggling writers: never,  ever,  ever stop writing.

If writing is the first and/or last thing you think about every day, then do it.

If you’re driving somewhere and a plot point jumps into your brain, stop and record it.

If you have only an hour to yourself each day because of work/family/whatever, then spend part of that hour – or all of it – writing.

If you have something to say, a story to tell, or a word of wisdom to impart, please, write it.

Don’t ever stop. Even if you think your words will never see any space but the lines on your laptop. Who cares? Write anyway.

Don’t stop. Don’t give in to self doubt. Don’t give up.

Just write.

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How much of YOU is in the stories you write?

I was asked this question a few days ago by a friend. I really think she was fishing to find out if I’d ever put her in a book, but that’s besides the point. The question has some validity if you go by the old rule, write what you know.

Well, who/what do you know best? Yourself, of course.

But let’s face it: I’m really boring. I do not have a fascinating life and the most exciting thing I’ve done this year was to go to the RWA conference in San Antonio.

So, if I wrote what I knew, all my books would be about psychiatric, ophthalmic nurses. Cute and interesting once or twice, but nothing to build a writing career on.

But back to the question: How much of me is in my stories?

I can truthfully say, not a lot. Sometimes I’ll write a line of dialogue or use a phrase that I know gets a response because I’ve used it in real life. Or in my Cook Book series I refer to some of the recipes that are tried and true in my life.

As far as my female characters, none of them is like me at all. I purposefully make sure of that when I create them. They don’t resemble me in any visceral way and most of them are way, way smarter than me. Their internal beliefs and struggles are not mine, either.

If they do bare any resemblance it is in the fact they are all fighters like I am.

My world views, my politics and even my religion are not factors in what I write. I try to balance the character with the setting and the plot. I’ve never written about a chubby, curly haired, not-too-attractive catholic-raised girl who was abandoned by her father and left with a none-too-stable mother and an evil grandmother. If I tried to write that story it might just be the end of me!

I know conventional writing wisdom dictates that every story has a little of the author in it.

I can truly say the only thing of me in my stories is my name in the credits.

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Procrastination, thy name is Margaret-Mary…

Since menopause hit me with a punch to the gut – and everywhere else – I’ve had trouble focusing on tasks that in the past were literally no brainers for me. I was balancing the checkbook the other day and my mind started drifting to my current WIP and I began running the plot line in my head, trying to figure out some good twists and turns for my characters. Before I knew it, the balance in my checkbook was off by about a million bucks and I’d written the wrong amount on two of the bills I was paying.

After Mass last weekend, a friend asked me how I liked the sermon. I had to fib and say it was great when I had no idea – no frickin’ idea- what it had been about because, yet again, my mind she was a wanderin’. That’s pretty sick. Coming out of Mass and having to tell a fib right away. No exactly the most Christian thing I’ve ever done.

On my days off I try to start writing at about 6 am. If I’m going at a good clip I can get 9-10 hours of it accomplished before I need to start thinking about dinner. Sometimes I’ll take a break to toss in a load of laundry…maybe drop by the market to get some groceries.

But for the past month my mind has had trouble sitting at my desk and creating. I come up with all sorts of excuses to pull me away from the laptop, and I usually fall victim to them. The newest episode of Castle is on, of I need to catch up on Sleepy Hollow. Jill Shalvis has a new book out that I just have to read – now! There’s a new In Death addition waiting for me on my Kindle.

All these things are pulling me away from my writing.

Then, yesterday, it hit me. These things, these distractions, aren’t pulling me away. They’ll all still be there waiting for  me once I’m done writing. No, what’s making me procrastinate so much is me. Not the mundane little things I allow to get to me. Me. Myself. I.

For whatever reason, I’m a little nervous about this new WIP. I think about it all the time, truly, running plot lines in Church, thinking up dialogue when I’m at my paying job. I think about it all the time. And what I’m thinking up is good. Really good, for me. So why can’t I commit to getting it down on paper?

Probably time for some therapy…the question is, retail, or professional?

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