Tag Archives: Editors

Individuality

“If I’m going to sing like someone else, then I don’t have to sing at all.” Billie Holiday.

Have you ever heard Billie Holiday sing? Not the Diana Ross version of her voice, but a recording of the actual songstress?Click on this link to get a sample of what she really sounded like. Billie sings. Now that you’ve heard her actual voice you’ll  understand why I put her quote up today. No one. Let me repeat that: No.One. Sounds like Billie Holiday. When you hear her sing you know instantly that it’s her. You can probably say that about a handful of singers. Instant recognition. The voice, the way the song is sung, the way the lyrics are expressed, all aid in helping you know the voice immediately.

How does this relate to writing? Easy. Think of your favorite author. Now think about why they are your favorite author. It’s probably because of the way they tell their stories. The language they use, the descriptors, the way they convey the emotions of the love connection. This is the author’s voice. I’ve blogged about voice before but today it’s from a different slant.

The rules of romance writing – like the rules in life – are guidelines for existence. Life rules help guide us through…well…life. The rules of writing romance are the same. You want to get your characters from point a to point b and then to a happy ending. Along the way you’re not supposed to roam through everyone’s head, allow secondary characters to become primary actors in your work, and you should never make it easy on the love interests to get together.

Now, my favorite authors of every genre break that head roaming rule, and every other “rule” out there. This is why they are my favs. I’m nosy. I’ve said that before and it’s true. I like knowing what’s going on in every character’s mind. It helps me understand the story. I write this way as well and I know – from the multiple editors that have mentioned it – that it is verbotten in a newbie author. But, this is MY writing voice. My individual style. The way I want to tell a story – much like the way Billie Holiday  tell stories with her songs. The trick to doing the verbotten correctly is to make it seem like it’s not wrong. Only a handful of truly gifted authors do this well. Some day I hope to be included in that lofty group!

Be yourself. In your life and in your writing. That’s my take-away from today’s quote.

Any thoughts?

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Deb Dixon Conference

On this lovely day before Mother’s Day, I’m privileged to be attending the Deb Dixon  Book In A Day Conference in Nashua with my New Hampshire RWA chapter. This was the perfect Mother’s day present  I gave to myself. Deb Dixon has an amazing CV and her landmark instructional book, Goal, Motivation and Conflict, helped me plot my last two books. I was able to pen them so easily, I wished I had known about her book when I was a neophyte writer.

After attending two writing conferences in two weeks ( last week was the NECRWA conference in Boston), I am uberinspired with my writing. I’ve updated my goals and I’m going to be starting something new tomorrow. Each day that I can – and hopefully that will be everyday – I plan on putting a quote up on this blog and will try to relate it to my writing journey. I hope you will join me in this new endeavor.

For now, I’m off to learn from the master, Deb Dixon.

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Filed under Author, Contemporary Romance, Editors, New Hampshire, NHRWA, Romance, Strong Women

Conference end

Days like today always remind me why I love being a writer and attending writing conferences. Shared experiences, instilled knowledge, networking. This is why you come to conferences and why you should.

Today’s schedule included a class on finding your voice as a writer and how to use humor in your writing. I’ve done a previous blog on finding your writer’s voice and this class reiterated to me why it’s so important to be true to yourself and your writing style. It is distinctly yours and the more your write, the better it gets.

For our luncheon speaker today we had Cara McKenna take us through her journey to published author and gave us some advice on how to navigate through the sometimes tortuous waters of the publishing industry. With some colorful phrases and through a few tears, she made every writer in the room feel as if their journey was a worthwhile endeavor.

I attended a very good workshop in  the afternoon by Megan Frampton titled, Angst and Affability: Using Jane Eyre and Pride and Prejudice to Craft New Adult and Contemporary Romance. She drew comparisons and contrasts between the older books and their contemporary usages and it was quite fascinating.

Oh, and I did my two pitches. And survived! Suffice it to say, I had a VERY GOOD outcome with them. More will follow  ( hopefully) on that in the future.

I encourage everyone who writes to attend a writing conference at least yearly. I go more often because I can and, let’s face it,  want to. Even if you learn one thing you never knew before about writing/publishing/editing, whatever, or meet one person who can help change your life, the expense is always worth it. I’m going home armed with a new energy and desire to write. I have new writing goals for myself and am determined to see them through.

One of the most important things I learned this weekend was to keep at it. Keep writing and reading what you love. Don’t be discouraged if it isn’t your time to be discovered – it will be one day! Just keep at it and keep loving it.

Good advice.

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Filed under Author, Contemporary Romance, Editors, NHRWA, Romance, Romance Books, RWA, Strong Women

Conference – again!

So,the first day of the NECRWA conference is done. What a day! So glad I came. Two perfect standouts for me today. One was the Angela James master class b4youhitsend. I learned more in two hours with her in this class then I did in four years of college english and writing courses. The second was the dinner’s key note speaker, Bella Andre. She detailed her remarkable journey to publication both traditionally and digitally, and she made us all remember “It’s all about the book,” and “keeping your promise to the reader.”

I consider myself an okay writer when it comes to the mechanics of the craft: punctuation, tense, word use, etc. I’m usually a pretty fair to good editor of my own work. But after hearing Angela James speak for two hours about how to make your manuscript as perfect as it can be, and all the mistakes she’s sees with submissions,  I will admit I am an absolute  novice when it comes to editing. Simple things, like knowing when to capitalize words or how to use adjectives and adverbs correctly, I thought were second nature to me. Noooooooo. Right after I publish this I am going straight back to my WIP (Work in progress) and use the handouts she gave the class to go over every line of my manuscript with a fine tooth  digital editing comb. The class was pared down from an 8 hour workshop to 2, and believe me, even in those two hours my head was spinning with knowledge. I fully intend to take the 8 hour course when it is given and will consider it some of the best money I’ve spent all year on my writing career.

Super Best-Selling novelist Bella Andre’s speech was an inspiration. I am significantly older than she is and just starting out on my writing/publishing journey, but she said so many wonderful things that just touched my writing heart, the most important of which is to always keep the promise you made to the reader. The book is the most important and vital thing – not checking your social media for sales numbers, or reviews. The book itself, the story. That’s what should be uppermost on the mind of the writer. I am going to print that out and keep it next to my laptop at home. Every time I write I will see those words and remember.

Day two promises to be another gem -even though I have my two pitches!! Oh well, what’s the worst that can happen?
Details to follow tomorrow.

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Conference – Part 2

So it’s the first day of the NECRWA conference in Burlington. After checking in I received my “goodie bag” complete with program, name lanyard and my scheduled editor appointments for tomorrow morning. I get to “pitch”  my newest work in an 8 minute diatribe to two powerful editors at two distinct publishing houses. How do you define nervous? I’ve done this before at other conferences and that feeling of nervous anticipation coupled with sweat-producing dread never seems to go away. I know I have nothing to be nervous about – after all, I talk for a  living. But I think it’s that little nugget of self doubt that always permeates my soul when I talk about the stuff I write. Will the person like it? WIll they understand the story line I’m talking about? WIll they think I’m a complete illiterate moron? Will I stutter, falter, spit?  And God forbid – will I forget the story line I am pitching? All  these things run through my mind when I think about the pitch.

I’m a confident woman. Really. I know myself and I know my stuff. I can articulate – most of the time – well. I write fairly well, or so I’ve been told. But when it comes to talking about my writing with a complete stranger – who, by the way,  may be  my ticket to publication – I turn into an inarticulate, thread of thought losing toddler. That’s just dumb!

I’m not going to think about it for now. For today I’m going to attend the meetings I’ve chosen, learn from the masters, and just relax and enjoy the moment. I’ll think about the pitch later…probably all night long…and I won’t sleep, and I’ll be bone tired tomorrow and then then  I really will forget the story line, or falter, or stutter, or spit.

Oh god! What have I gotten myself into?

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Conferences

In my professional life – the one that pays me a salary – I have to attend several educational conferences every year in order to keep my licensing credentials up to date. These conferences are usually long winded, many times boring, and often soul draining because of the tedium involved with the materials. This weekend, I get to attend a conference I am eagerly looking forward to with joy and anticipation. The NECRWA Let your Imagination Take Flight Conference in Boston. The featured speakers list is a who’s who of amazing romance writers, editors and agents,  including Judith Arnold,  Bella Andre and Angela James. I can’t wait to hear all their pearls of wisdom.

Let’s face it: conferences can be expensive and time consuming. Most are usually never near where you live, so there’s always travel time and gas money involved, or in some cases, plane fare. With the travel goes the obligatory hotel stay. I usually stay in the hotel where the conference is being held just because I’m lazy and don’t want to shuffle from one hotel to the other. Then you’ve got to include the cost of meals if the conference doesn’t provide them. Even with all that, I am still an eager and willing conference attendee because I always learn something and the chance to interact and network with others who love writing as much as I do is very rewarding. I’ve always thought that if I learn one new thing and make at least one new writing friend at a conference, then the expense was more than worth it. I’ve never been let down with this thinking.

So I’m off to the conference today and will be live tweeting @peggy_jaeger and blogging here about all the fabulousness and info that I’ll be collecting.

Next weekend it’s off to Nashua for the Deb Dixon Book In  A Day conference – another great experience in writing. Deb Dixon is a writer/speaker who wrote the quintessential instruction book Goal Motivation  and Conflict, a must have for any writer. More about that conference at a later date.

 

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Filed under Author, Contemporary Romance, Editors, New Hampshire, NHRWA, Romance, Romance Books

The BUSINESS of living vs. The DESIRE to write.

I have a job that pays me a salary, affords me some health insurance, and gets me out of the house three days a week. This is the job the people in my social realm call “Peggy’s real job.”

I don’t refer to it that way. I call it “The place Peggy goes when she’s not writing.” My real job is the one that affords me the most enjoyment, the one I eagerly look forward to each day, and the one that occupies my mind during rest, sleep and all other periods in my day.

My real job is not a job at all, but a love; an avocation; a calling. For my real job I, simply, write.

I’ve loved turning words into sentences and then into stories on the page since I first knew how to spell. I was that kid everyone hated in school who actually liked writing THEME ESSAYS in class and usually broke the grading curve with my scores. All during my school career I dreamed of graduation and then being able to write all the time, every day,whenever and wherever I wanted.

Reality washed over me like an ice cold shower when I did graduate and was told to pursue a real career which would pay my way into the world, because no one was going to do it for me. Unfortunately, sitting in a garret, writing mystery novels was not to be that career.

At that time, anyway.

Being able to write fiction on a full time basis is a luxury when you are first starting out in a writing career. I didn’t know that when I was younger. If I had, I might have steered towards a more literary career pursuit, in publishing, agenting, or even editing, instead of nursing. If I had known that my desire to write would be interrupted numerous times during my adult years with marriage, motherhood, and the need for a consistant, dependable  salary, I would definitely have made different career choices when I was younger and more flexible. Let’s face it: when you’ve got a husband, a child, and a mortgage, not to mention a car, the need for groceries, and an occasional night out, starving in a garret penning the great american novel doesn’t look so easy to do. Writers need to live. They need to pay bills, put food on the table and provide for themselves and their families. I wish I could give every writer I know who is trying to make a name for themselves with their craft a fairy godmother who could provide for them. Centuries ago, writers, artists and musicians had Patrons, wealthy people who would pay the artists’s expenses so they could devote their time to their writing, art or music. This allowed the creative person ample time to simply create and not have to worry about mundane everyday living needs. Patrons of the Arts were usually nobleman or women who had a staked interest in the person using their creativity. I would have done very well during those times as a writer because I would have had no qualms about accepting help ( in the form of money) in order to afford me time to write.

Most of the people  I know personally who are writers, have another job – a paying job – as I do. One that takes care of the mortgage, the kid’s college tuition, groceries, health insurance and car payments. This is just a fact of their life as it is mine.  Some day, hopefully BEFORE offical retirement age, I will be able to forgo this necessary salary and be able to support myself and my family with the fruits ( read: money) of my writing endeavors.Until then I steal whatever time I can from things I should be doing – like laundry, vacuuming, grocery shopping and sometimes even cooking. I haven’t been to a mall in almost a year and my wardrobe is several seasons out of date.

I don’t care, though, because I’m writing.

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But, what’s your book ABOUT?

I was speaking to an acquaintance the other day and she asked me what I was working on, writing-wise. I told her a new series of contemporary romance books concerning several members of the same family. She floored me when she then asked, “but, what’s it about?”

Really? Didn’t I just say it’s a series of contemporary romance stories about a family? What part didn’t she understand? A series of books? Contemporary Romance? Family members?

Then it hit me.

This chick is not a writer. Of anything. Not letters, not emails, not lists. I don’t think she even writes a check, just pays everything electronically with a swipe of her index finger on her smart phone. And it was me who wasn’t understanding her, not the other way around. If she had been a writer, or even remotely acquainted with some sort of writing, she would have understood the description I gave her. But she wasn’t, so she didn’t. She really did want to know what the book was about – everything from the plot line down to the characters and where it was taking place. To her, that’s what the book was about, not my clinical, yet apt, description.

Sometimes I take  for granted that people know what I’m talking about when they ask me about my writing. In truth, the only people who ever understand completely what you are saying when you discuss writing are actual writers. My non-writing friends do not know, for instance, what ARC’s are. Nor do they understand the difference between line editing copy and galleys. To them, ARC is what Noah sailed on – just spelled incorrectly. Writers know it’s an acronym for Advance Reader Copies of books. Line editing I still think is self explanatory(!)  and galleys are not the area in the bottom of boats where you cook your meals, but the final copy of your book  you need to check for any and all mistakes before it goes to print with those mistakes on the page forever.

I enjoy writing contemporary romances, but I love reading Regencies. I mentioned this to another acquaintance once and she asked, “what’s a regency?” Again, really? Not her fault. Her sum total of reading concerns biographies of celebrities, PEOPLE, and Cosmo. The funny thing is when I explained what a regency romance was and told her some of my favorite authors and titles, she actually became a fan. She asked once if it was possible to turn a regency romance into a contemporary one. Hello! Anyone remember CLUELESS!??

I really do need to have more patience with, and be kinder to, my non-writing friends –  of which all my close close friends are. There are so many times, though, I am  happy that I belong to the NH Romance Writers of America group and the national RWA. It’s so great to be able to talk about my writing with some people who never require detailed explanations of what my book is about! They get it on the first try.

 

 

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When the past becomes the present

Okay, that title is a little obscure. This is the story behind it.

In my thirties, I pretty much made a living doing freelance article writing for newspapers and magazines. That’s how I made cash. I didn’t need to work because my husband’s salary was more than enough and we both wanted our child to have a parent at home, not both of them always working. At the same time I was writing a great deal of fiction – mainly short stories – and had lots of success with awards and publications. I was also harboring a secret: I was writing book length romantic fiction and murder mysteries. I never attempted to get them published. I wrote them simply for my enjoyment when I had a few hours of time to myself. I liked my stories and I didn’t really care if anyone else ever saw them.

Fast forward a few years and I went back into the workforce as a favor. I didn’t have the time to devote to any kind of writing – freelance or fiction – so I let it slide for about 15 years.

A few more years ahead now. One day I was downsized at my job. Not let go,  but my hours were severely cut. My daughter was gone and on her own, my husband was still working full time, and now I found myself with more time for myself than I’d had in a decade. There is only so much house cleaning and working out at the gym that you can do in a given day, so I decided to pull some of my old fiction stories out and reread them.

Here’s the part of the story that’s weird. I don’t even remember writing most of them. There was a four year window where I actually penned 8 full length novels – each  300- 400 pages. During this prolific time I was shuffling my daughter to school, dance class, karate class, etc. I was making entire home cooked meals EVERY NIGHT of the week and my house looked great. And I still managed to spend all that time writing. I had an entire series of books devoted to one family. I started rereading them last year after I was down sized. I couldn’t remember what I’d written so it was like finding a new author and a new set of works to delight in. Some of them were pretty good, I thought. A little dated, because they were written before Iphones and such, but I started reworking them and modernizing them.

Lo and behold, two of them won contests and the editors at two publishing houses asked for complete manuscripts. I’m waiting to hear back from them as I write this.

It’s a funny thing when your past endeavors come forth to the present. I wonder if I’d tried to submit them for publication back then if they would have been accepted.  Or, did I need to write them and then put them away, only to turn to them again at this stage in my life.  I’ll never really know the answer. Suffice it to say, I had a great deal of fun rereading and reworking them. If this leads to publication, so be it. If it doesn’t, I know I’ll still be writing into the next decades of my life.

And who knows: maybe I’ll find something in the future that I’m writing now and will be surprised by all over again.

Like I said: it’s weird.

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How do you turn your characters into Real People, Part 2

Part of my website is called Tawk 2 Me. The word Tawk we all know should be spelled as Talk. The reason it isn’t here is because of my Brooklyn accent. I haven’t lived in New York in over 30 years, nor in Brooklyn for close to 42 . But I still speak as if I just got off the local Flatbush train. I don’t pronounce “R’s” at the end of works, substituting  “A’s” for them and my nasal, drifting cadence tells you immediately when you meet me that I am a Brooklyn girl. On the occasions when I go back to NY for a day or so, the accent reverts to a primordial twang and it grows even thicka ( thicker!) See: I even do it when I write!

Long before there was callerID people knew it was me on the other end of the phone the moment I said, “h’llo.”

This is a long winded way of saying one of the best ways to make your characters seem like real people is through:

  • dialogue
  • word choice
  • pronunciation

Where are these two people from?:

Guy 1 “Yo.”

Guy 2 “Yo”

Guy 1 “Where you been at?”

Guy2 “My ol’lady. Been busy. Bangin’ all day.”

Guy 1 “Go scratch.”

Guy 2 “True.”

Okay, I could go on with these two goons, but I think you get the idea from the dialogue, that these are two are not exactly Rhodes Scholars speaking about esoteric world events. They actually sound like guys I grew up with, so if you said they live in NYC or Brooklyn to be specific, you would be correct.

So here’s the same dialogue from a different part of the country:

Guy 1. “Hey.”

Guy 2. “Hey, back.”

Guy 1 “Where y’all been?”

Guy 2 “With my girl. We’ve been getting busy b’tween the sheets, know what I’m sayin’?”

Guy1 “No way, bro”

Guy 2 “Way.”

See the difference? Same speech, different words. They sound different and read differently. When I see this I immediately think midwest – south because of the “y’all.” I can hear the twang and drawl.

Word choice and word placement are two ways to make your character sound real and read as real.

When you read  a Regency romance you will never hear a character say a line like this: “Yo, bitch, what time we gotta be there? ” Instead, the line would probably read like this: “My dear, what time are we expected to arrive?” Same meaning, different time period and word choice.

Dialogue is a powerful way to present your characters.  Here’s a great little tool to use when plotting ( sorry, pantsers) your storyboarding and your characters. Check out the language and communication page: CHARACTER CHART.

Part three is next. I love this topic because I love my characters and the people they are!

 

 

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