Tag Archives: Writers

May 15, 2015 · 4:31 pm

The process of falling in love in a romance story

Storytellers use certain techniques to give their tales the most flavor and intrigue they can. The simple turn of a phrase, the order in which they divulge information, how the five senses are employed through the showing and telling of the story, are all ways writers tell a tale.

It’s no different, I feel, with a romance story.

How do your characters meet? Do they already know one another from their pasts? Are they friends of friends? Co-workers? Or do they glance across a Dunkin Donuts and see one another for the first time?

What past experiences have influenced how they see their present lives and how they deal with the people surrounding them? Are they receptive to love at this time, or do they shun it? Why?

Does one partner “fall” faster than the other, and if so, is it revealed or kept hidden?

Little physical nuances the characters show around one another and with no one else, provide clues to how fast and hard they are falling.

Now, take those characters, their backstories, and their present emotions, and weave a romance story around it.

It sounds a great deal easier to do than it really is. While many critics say romance stories are formulaic and predictable, there is nothing predictable about falling in love. Every human is different in how they think, react, emote, and live. It stands to reason the way they each fall in love is individual as well. A master storyteller is able to divine those differences, have the characters equipped with tools to overcome them, and create a happy ending for all involved.

In Pride and Prejudice, my all time favorite romance story, Elizabeth and Darcy fall for each other in totally divergent ways. You can see he is instantly attracted to her as a woman, but her station in life makes it hard for him to admit it to himself or anyone else. On the opposite side of the spectrum, Elizabeth despises him for most of the book. It is only when he reveals his true, kind self during the Wickham/Lydia incident, does she really get to know the person he is and her heart quite literally turns over for him. The obstacles they face of class difference and family connections make it a difficult road to happily ever after, but in the end, their love for one another helps them overcome these seemingly insurmountable problems.

Austin was a master storyteller in the way she doled out information about her characters to the reader. She shows Darcy, arrogant and haughty in his words and actions towards the Bennett family, so much so that most readers don’t like him for the first hundred pages or so. But when his softer, loving side is revealed in how he deals with his sister, we get a better feel of the true man he is. When Elizabeth is allowed to view this side of him, her heart begins to soften.

A true and gifted storyteller is able to make you think the hero and heroine will never get together, never be able to overcome the obstacles in their paths, never find that proverbial road to everlasting happiness. This is the old fashioned basis and tagline for a romance: boy meets girl, boy loses girl, boy gets girl back. When the hero and heroine finally make it to the last pages, the reader is rewarded doubly. First, with their hoped for happily ever after ending, and second, with the knowledge and satisfaction of watching two people struggle and yet still come out on top in the love department. This is the essence of a fabulously written romance.

Remember what it felt like when you fell in love for the first ( and hopefully last ! ) time. What was your story? A fast fall, or a slow, subtle buildup? Where you friends first? Co-workers? Committee members? Were you set up or did you meet by happenstance? All these little factors make your love story different from every other one, and THAT is the true process of a well written romance.

Check out how two pair of  my H/H Fell in love.

SKATER’S WALTZ  http://www.amazon.com/Skaters-Waltz-MacQuire-Women-Jaeger-ebook/dp/B00TBUK4XS/ref=sr_1_1?ie=UTF8&qid=1423442958&sr=8-1&keywords=skater%27s+waltz+by+peggy+jaeger

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THERE’S NO PLACE LIKE HOME http://www.amazon.com/Theres-Place-Like-MacQuire-Women-ebook/dp/B00VU85CBI/ref=sr_1_1?ie=UTF8&qid=1428599275&sr=8-1&keywords=there%27s+no+place+like+home%2C+by+peggy+jaeger

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May 10, 2015 · 11:22 am

Mothers…we all have them

Today is one of those days my husband refers to  Hallmark-made days. A day – he feels – greeting card companies institute and promote. I think I read somewhere  there are more cards sent on this day than on Valentine’s day and Easter combined.

And I believe it because we all have, or have had at some time, a Mother. We wouldn’t be here right now if we didn’t.

Since I am such an avid reader, Mother’s day got me to thinking about all the famous and infamous mothers in literature. There have been a bunch of memorable ones and like I’ve said before, Google and Wikipedia have lists for everything, so did a search for the Best Mothers in fiction.

Here are some of the tops names. See how many you recognize and if you agree with their inclusion in the list.

It’s interesting, I think, to note that two of the moms are defacto moms, not biological ones. Mammy, in GWTW, is Scarlett O’Hara’s nanny, and is African American to Scarlett’s lilly white, but she is closer to her than any mother who gave birth to her. Mammy is the sound of  Scarlett’s  conscious on most decisions, and cares for her charge more than Scarlett’s mother ever did. Mame Dennis is Patrick’s Aunt, but she raises him after he is orphaned and brings him to maturity, offering him a world of excitement and adventure to squash his staid upbringing. She instills in him a sense of fun and whimsy he’s never had before, all the while showing him unconditional love and devotion.

I also find it interesting that two of the moms – Mammy and Marmee – are raising their “children” during times of war and national strife and economic downfall. They valiantly attempt to protect their young from all the horrors of war – famine, poverty, loss – and help their children grow into productive adults. Ma Ingalls has to face uprooting her family to travel west for a better life. She copes with floods, drought, sickness, blindness, famine and poverty within her family, yet always manages to make their lives a little bit better through her kind actions and thoughtful heart.

Mrs. Lancaster must deal with every parent’s nightmare : a sick and potentially dying child with cancer. She wants nothing more than to make her daughter’s life light and happy despite the tragic diagnosis, and through her caring and loving ways, she epitomizes the intrinsic and internal strength of will every mother possesses.

That’s what I come away with from having read all these books: the strength of the “mothers.” Be it internal, external, religious or spiritual, all these women have strength, Strength of character, of morality, emotional strength, fortitude, and determination. There is not one mother on this list who wouldn’t fight to the death to protect their young. The instinctual force of maternal protection inhabits every one of them.

Today, think about your Mom, or the person you consider Mom. In a way it’s a little sad we have to earmark one day a year  to remember her – we should be paying her homage everyday, and in the perfect world without stressors and strife, we would. But today, call her and tell her what she means to you. Sending a card or flowers is nice, but in reality, the thing your mom wants most is the gift of your time – of you!

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April 28, 2015 · 10:36 am

Why I write about families…

If you could come up with one sentence about what I write that defines my “brand” it would be Writing about families and everlasting love. The love part is easy to understand: I write romantic fiction. The family part needs a little explaining.

I was, and still am, an only child. Both my parents remarried after they divorced each other, but neither had more children. I’m it. Some people might think this is like winning the presents and attention lotto. I’m the only one who gets birthday, Christmas, Easter and every other gift-giving holiday, presents. I’m also the one who gets all the individual attention from the parental units. I don’t need to share my parents with anyone else.

In a perfect world this would be great. But we don’t live in a perfect world.

My biological parents despised one another and their anger and disgust filtered down to me. I don’t have any memories in childhood where one of them actually said something nice about the other. It was always a negative comment. In fact, I was told I was so much like the other parent (from both of them ) that this increased the animosity they had for one another and the anxiety I had being around them. When I would dream at night I frequently dreamed of either being an orphan or being in a humongous clannish family.

All 4 of my parents (step and biologic) are still alive, so no orphan state. But I did – luckily – marry into a huge family that I feel is clannish, but in the best sense of the word.

So, when I started writing romance I knew what I wanted to write about were families. The good, the bad, the ugly and the beautiful – of which there are equal parts in every family structure.

Since I am an only child, I know firsthand how to write about that. And I have. Many of my stories are about an only child struggling to find the perfect life. Throwing an only into a large family pond is a great way to increase conflict, bring about change both internally and externally, and to encourage growth to happen on every character’s part.

Large families have their own individual ethics, rules and codes for everything from acceptable behavior, to kitchen duties. Throwing an independent only child as an adult, into this dynamic where everything from work to feelings are shared as a whole, and not singularly, is a sure-fire way to ramp up the conflict and tension between the main characters, especially if the only is stuck in his or her ways.

Large families are fun. They can also be soul sucking, heartbreaking, and destructive. But when they are accepting, open and loving, the plot almost writes itself. No one knows you better than the members of your family, and no one will go into battle for you in a heartbeat other than those closest to you.

Friends and acquaintances move in and out of you life – that’s natural. But family is forever. No matter what the circumstance, the emotional outbursts, the jealousies or the failures, your family is ALWAYS your family.

And in my book, the bigger the family, the better!

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April 19, 2015 · 6:00 pm

Birth order…in life and in characterization

I’m fascinated by families and birth order. As an only child, I was the solitary kid in rooms always filled with adults. I think one of the reasons I’m such a good and thorough observer is because I was raised in that era where children were seen but never heard. I learned very early in life how to watch people without them noticing, how to gage emotions and reactions during situations, and most importantly, how to describe what I was seeing. From the time I knew I was the only kid in my family’s realm, I dreamed of having siblings. It didn’t matter to me if I was the oldest, youngest, or came somewhere in the middle of the food chain. I wanted other people like me around the house.
Sadly, it didn’t happen.
My life long fascination with birth order and how siblings react and interact with one another is the reason I like writing about big families. It gives me a great deal of pleasure to invent the families I always wanted as my own. I would have liked nothing more while growing up than to have older brothers looking out for me and sisters guiding my way to adolescence. Families come with their own sets of rules on behavior and thinking and actions. Most of it is based on the shared history they have, and much of it is situational. When I start a new book series, the dynamics in the family come first. Is there a father figure present and if so, how does he rule? If no dad is around, how does the mother keep order, pay the bills, provide for her children? What roles do the oldest and youngest play in  his scheme? All these questions are thought out prior to my ever typing a word of the story. I need to know “my families” before I can write about them. I invent the parents I wished I’d had growing up, along with the support system siblings bring with it. Since I was a step-kid to two new “parents” when my parents both remarried, I know what it means to be the outsider in a group. Resentments abound, feelings of insecurity and of not measuring up run rampant, and you never really “feel” as if anyone is truly on your side. Of course, these feelings follow us into adulthood so when I write about siblings who are aging, I know I need to have them make decisions and run courses of actions with those childhood traumas and dramas in mind.
Siblings are such a curious breed of human. They love each other one minute, then engage in a fight to the proverbial death in the next. They depend on one another, forgive one another for transgressions, and then never let the other person forget it! They share secrets, tell secrets, and hold secrets for one another. Who wouldn’t want to write about people such as this???!! The emotional ground is fertile and ripe with conflict, love, support and emotions.
What about you? Come from a big family, or are you an only like me? Where is your birth order and did it play a role in making you the person you are? Or did it hamper your dreams and desires because things were “expected of you?”

Birth order, sibling dynamics, and families are truly fascinating to read – and write – about.

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April 16, 2015 · 8:41 am

Is This When the Miracle Happens? by Cheri Allan

My guest  blogger today is author Cheri Allan.

web site cover All or Nothing

I met Cheri Allan at NHRWA a little over a year ago and I was immediately taken with her open, easy, friendly and FUNNY personality. When I was lucky enough to read her first book, Luck of The Draw right before it was officially released, I realized she writes exactly the same way she does everything else in her life: with fun, heart, warmth and joy.  Her newest book,  All or Nothing, book 3 in the Betting on Romance series, is dedicated to her beloved mother, whose birthday is today – Happy B’day!! Today, Cheri’s blog is titled Is This When the Miracle Happens? Read  along and find out….

There are two facts about me you should know: I have successfully crammed a loveseat into the back of a Chevette, and my final grade in high school geometry was 103%.

I share these two little factoids not to brag (okay, maybe a little. I even got the extra credit questions right!), but because it was with this inflated sense of mastery over spatial thinking and physics that I approached a particularly difficult application of ice and water shield several years ago. (Think rubbery sheets of contact cement.) Dearest Hubby and I were weatherproofing our newly framed dormer before the summer T-storms hit again. I was leaning through the narrow rafter cavity with a piece of ice and water shield (sticky side out) attempting to reach in a direction that would require: a.) one of my elbows to bend backwards, b.) my arms to stretch another 6-8 inches, and c.) me to develop x-ray vision that would allow me to see through a 2 x 12 rafter. I had struggled for probably ten minutes or so at this task when DH leaned close to my ear and whispered, “Is this when the miracle happens?”

I dissolved into convulsions of laughter and ended up sticking the ice and water shield to my forearm (which, BTW, I don’t recommend) because it was perfectly clear that as much as I stretched and pushed and struggled, the physics of the situation where not going to change.

In ALL OR NOTHING, self-made tech millionaire Ian McIntyre has just returned from filming a reality dating show. Unfortunately, he did not find a match. This is an ice and water shield moment for the show’s producer who spends the rest of the book trying to bend her elbows backwards getting Ian to fall in love and choose a fiancée so the show’s ratings don’t go down the toilet.

It turns out that the kind of woman Ian asked to be matched with isn’t the woman he needs (big surprise!) And it takes a loveable puppy, some persistent paparazzi and one spunky heroine to get him to see he needs to approach things differently. Cue the triumphant music and happy ending as the hero and heroine run through a sunny field toward one another…

You see, sometimes the miracle happens (don’t ask me how I got that loveseat in that car) and sometimes it doesn’t, but as writers we have a tendency to continue to shove and twist during those difficult times waiting for the fairy dust to sprinkle down from the heavens so our elbows will bend backwards and the scene will work. Chances are good, though, that we won’t suddenly realize we’re double-jointed, and it will take a whisper from outside ourselves to see that we need to take a new tack.

This is where I admit the third fact: If it weren’t for my lovely, talented and painfully honest editor, you would probably throw my book at the wall. In ALL OR NOTHING, I had a plot line that was not working. I knew this, and yet a part of me still hoped that, somehow, I’d pull it off. (Shh! Don’t say anything! I just need to stretch a little more!) Enter my editor who said (and I quote): “WHAT?!” If she’d had a red Sharpie, my manuscript would have been glowing. She hated this plot line and told me the two (Or twelve. Really, I lost count.) reasons why readers would go on to hate me and my heroine if I left it in.

She was right, of course. I was struggling so hard to make it fit, I wasn’t able to step back and see that it would never work. Once I pulled that plotline, all sorts of things fell neatly into place… like a loveseat into a Chevette.

This whole experience has reinforced for me the VITAL importance of having a critique partner, a plotting group, a good content editor or simply an honest friend to point out when persistence has morphed into stubbornness. Anyone that knows me knows I’m an optimist. I believe in happy endings and true love and that, somehow, the sticky pieces of life will magically fall into place. (Ta-da!) The reason I believe so strongly in these things, though, is because I surround myself with those who have the courage to whisper the truth in my ear when it needs to be said so I can reach my goals another way.

Now, I’m excited to share ALL OR NOTHING with the world, because I know it delivers the magic of a happy ending (with only fictional joint pain.) And I hope, if you do throw the book at the wall, you do so out of convulsions of laughter.

It does make me wonder, though… If I had left that ugly, unsympathetic plotline in, would you have thrown your book at the wall? How far does an author/character have to go to make you lose all respect for them to the point they become unredeemable? Depending on your answer, I may have to send my editor an extra large bouquet of flowers to thank her…

Join my mailing list at http://www.cheriallan.com and be entered to win an ‘All or Nothing Gift Basket’ full of goodies and books from New Hampshire. Drawing to be held April 30th! But don’t wait. Download your copy of ALL OR NOTHING today! Just $2.99 for a limited time.

 

 ALL OR NOTHING (A Betting on Romance Novel, Book 3)

web site cover All or NothingWhen finding Mrs. Right goes oh, so, wrong…

Self-made tech millionaire Ian McIntyre has suffered through a reality dating show only to return home to idyllic Sugar Falls, New Hampshire, empty-handed, swarmed by paparazzi, and hounded by a Hollywood producer determined to deliver a Happily Ever After. But then his home is invaded by a sexy, snarky local staging it for the season finale, and Ian finds himself more interested in the cute and scrappy hometown girl dusting off his action figures than the audience’s favorite southern belle.

Auto mechanic Bailey Adams grew up on the wrong side of the tracks and is struggling to patch together enough odd jobs to buy a garage of her own. When the Golden Boy of Sugar Falls entangles her in his disastrous season of Happily Ever After, they both discover that some long-held dreams are only as ‘real’ as ‘reality’ TV. Now, with the deal on her dream garage in jeopardy and her unlikely love affair with America’s favorite geeky hunk playing out on national TV, Bailey must decide if she’s willing to risk it all for love… or be left with nothing.

**Mild sexual content; Mild language; No violence**

 

EXCERPT 

“Then take off your coat and avoid hypothermia.”

Her bottom lip jutted out. “You first.”

He shrugged out of his parka and hung it on a hook by the door, raising one eyebrow as he did so.

She took another long drink then tugged her coat off and hung it next to his. Melting snow dripped onto the floorboards beneath it. Stubborn woman.

“Your lovely flannel shirt is also soaked,” he said.

“Yeah, like I’m falling for that.”

“Don’t flatter yourself. I’ve seen lumberjacks make flannel sexier than you do.”

He didn’t know why he was goading her, but he felt on edge… wet, chilled and restless.

“Like you could resist me if I were standing naked in front of you,” she said.

She paused, as if she weren’t sure how those words came to be floating in the air between them. But there they were, raining down over him like hot sparks. Heat flooded through him, and he could feel his blood pumping. He watched her, the air crackling with awareness. The fire in the stove popped and something tumbled inside. His heart thudded in his chest at the word ‘naked.’

“Try me,” he finally said.

 

AUTHOR BIO : CHERI ALLAN

Cheri Allan writes humorous, hopeful contemporary romances. She lives in a charming fixer-upper in rural New Hampshire with her husband, two children, two dogs, four cats and an excessive amount of optimism. She’s a firm believer in do-it-yourself, new beginnings and happily-ever-afters, so after years of wearing suits, she’s grateful to finally put her English degree to good use writing romance. When not writing, you might find her whizzing down the slopes of a nearby mountain or inadvertently killing perennials in her garden. Betting on romance… because every woman deserves to get lucky.

BUY LINKS:

Amazon: http://www.amazon.com/Nothing-Betting-Romance-Novel-Book-ebook/dp/B00VO56WMU/

Barnes & Noble/Nook: http://www.barnesandnoble.com/s?store=allproducts&keyword=cheri+allan

Kobo: https://store.kobobooks.com/en-US/ebook/all-or-nothing-62

You can also find Cheri Allan on Goodreads, Facebook, Twitter and (when she can figure it out) Pinterest. All three Betting on Romance books are available at most major on-line retailers and http://www.cheriallan.com.

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April 14, 2015 · 8:33 am

A little present and a tease….

May 6, 2015 is the official release date of my second novel THERE’S NO PLACE LIKE HOME. Yippie!

Most of you know the Wizard of OZ is one of my favorite books of all time because it is so rich with psychological subtext and family drama, two of my favorite things to read. The title for my book comes from Dorothy’s famous line, spoken at the end of the movie, and I have always felt this statement is true. There really is no other place like your home. Home means warmth, shelter, comfort, safety, acceptance, love and nurturing. My heroine in THERE’S NO PLACE LIKE HOME, Moira Cleary, is at a crossroads in her life and has come home to rest, recover, and reconnect with her beloved family. She has been globetrotting around the world for over 4 years with a traveling symphony, when something happens to question the lifestyle she has made for herself. Coming home provides her with safety and surrounds her with love. Love of her immediate family, and of her best friend, veterinarian Quentin Stapleton.

Here’s a little present from me to you. Hope you enjoy it and are intrigued enough to order your own copy of THERE’S NO PLACE LIKE HOME.

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“Remember when your cousin Tiffany got married in the backyard here?”

Confused, Moira nodded.

Quentin rubbed her bottom lip with the pad of his thumb. “When the Reverend told Cole ‘you can kiss your bride,’ and he swooped her off the ground, spun her around and kissed her silly? Remember what you said?”

“I think I said it was the most romantic thing I’d ever seen.”

He nodded. “The exact quote was, ‘I hope someone kisses me like that some day.’”

Her grin was quick at the memory. “Pat snorted and said I’d better be satisfied with licks from the horses and Rob Roy because no guy was ever gonna kiss me.”

“He wasn’t known for tact back then.” He rubbed a hand down her back as he held her. “Remember what happened later on behind the barn?”

Because she did, she couldn’t stop the heat from spreading up her face like wildfire. When she nodded again, he said, “You wanted to know what it felt like to be kissed like that and since I was your best friend, you thought I should be the one to do it, because you – quote – felt safe with me – unquote.”

“What was I? Eleven?”

“Thirteen. And I was more than willing. Almost broke my heart in two when you said afterward, ‘I don’t see what all the fuss is about.’”

“Q—”

“Hush.” He kissed her forehead. “Ever since that day, all I’ve wanted is a second chance. Now,” he pulled her body closer, wrapped both arms around her small waist, his hands resting just above the dent in her spine. “We’re both a little older, a little more mature. Some of us are much more experienced—”

“And conceited.”

“Experienced,” he said, the laugh in his voice quiet and seductive, “and things can be so much better.”

 

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April 7, 2015 · 10:01 am

The Power of Friends… in Literature

Where would Nancy Drew be without George Fayne? Where would Huck Finn have wound up without Tom Sawyer? Scarlett may have derided her, but Melanie Wilkes was her best friend hook, line,  sinker and soul. What about Elizabeth Bennett and Charlotte Lucas? Without Charlotte, Lizzy may just have wound up married to the horrible Mr Collins. Charlotte did her a solid by marrying the little worm. Harry Potter,  Ron Weasley and even Hermione,  were the best of ‘mates. And dear God, could we have had Sherlock Holmes without John Watson?

In my last post I talked about my friends and what having them in my life means to me. Literature is  chock-full of besties and we are all better for having shared in their friendships, albeit second  hand.

Friends in literature serve so many purposes aside from simply being  “a friend.” They are foils for one another’s characters; sounding boards for ideas, problems, and resolutions; cheerleaders and soul soothers, and best of all, the true  friend will always steer you in the right direction when you are going the wrong way, tell you if you have spinach in your teeth, and hold your hair back when you need to vomit. This last one is literally and theoretically!

My two favorite books of all time are Gone with The Wind and The Wizard of Oz. Both are rife with the beauty and detail of friendship. In both, the main characters of Dorothy and Scarlett need to find their way: home and in life. The TinMan, Cowardly Lion and the Scarecrow all help Dorothy face trials, tests,  and tribulations in order to find her way back  to Kansas, to Auntie Em’s loving care, and to discover her heart’s desire. Scarlett is Melanie’s opposite in every way, except in their love for Ashley, and in  this opposition of character details, each woman brings out the best in the other. Despite what many historians have postulated, I really do think Scarlett’s road to redemption begins when she brings Melanie back to Tara after the birth of Beau. She risks her life to make sure they all get home safe and sound. Whether you believe it is for a selfish reason, such as ensuring Ashley knows Scarlett helped his wife, or  – like me – because deep down Scarlett was truly a good and loyal person, their relationship ( Scarlett and Melanie’s) is the strongest and most enduring in the novel.

When a writer creates friends, he/she needs to know what each friend brings to the relationship table. It’s simply not enough to have the main character have friends. They serve purposes, both positive and negative, and these purposes enrich the novel and the character’s quest. They play off one another, spark ideas between them, and – such as in the case of Holmes and Watson – better the lives of the people surrounding them. Ron and Hermione show Harry Potter that people do care about him -not because he is a wizard – but because he is a person with feelings and desires, just like they are. Sharing triumphs, failures, tears, and joy are just some of the emotions friends go through together.

Think about your favorites books. What are the friend relationships like? Is the book made better because of them?  What does each friend bring to the relationship table for the main character? When you write, think about these facets. Your book will be richer for it, and sound more true-to-life.

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March 29, 2015 · 3:29 pm

Why we should support each other as Writers….

One of my lovely, talented and fun-to-be-around NHRWA member chapter-mates just found out she is a finalist in the RWA GoldenHeart Contest. For those of you who don’t know what this means, listen up. The Golden Hearts awards are given to extremely talented and deserving romance writers who have not had a book-length romance published as of yet. It’s like the Golden Globes awards are to the Oscars. In romance, the Oscars are the annual RITA awards. So when my chapter-mate’s name was announced the other day, everyone who knows her was instantly thrilled for her, including all of us who belong to the New Hampshire chapter. Prestige, honor and open doors in the publishing world all accompany this nomination and, subsequent win. She – and we – will find out the winners at the annual RWA conference in July in NYC. It proves to be a truly memorable event.

Her nomination/finalist state and our happiness for her got me to thinking. Writers of romance are truly the most convivial and supportive group of humans I have ever met. We applaud each other’s successes, understand the emotional toils  the non-successes ( I don’t like the word failure) take on our souls, and we cheer each other on through the often grueling process of creating love on the page.

Romance writers are a rare breed. And I am so thankful they/we are.

Competition many times fosters a sense of isolation and removal from the group of people you are competing against. The goal is to win it all, many times at whatever cost. Friendships are lost and destroyed all just to grab that proverbial golden ring.

Not so with romance writers. Yes, we compete against one another in the basic sense because we all want to get our book published and into the hands of readers. But for every NYT bestseller and USA list out there where a romance writer makes it to the top, the rest of us know we can make it there, too. The trail blazers like Nora Roberts, Beatrice Small, and Kathleen Woodiwiss have made what we write relevant to the masses and  a force to be reckoned with in the sales division. We literally stand on their writing shoulders and are lifted up by their triumphs to gain success for ourselves. The better they do, the better we do.

So. I congratulate my writing friend with all sincerity and love. She is truly deserving of the nomination AND the win. When we are all in NYC in July I will be among the other 2,000 or so attendees who will be standing and applauding her victory, for her victory is also ours and we are better for knowing her.

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March 26, 2015 · 2:22 pm

Writing long…and short

I don’t think it’s a lie to say I’m verbose. As in, long winded, wordy, loquacious, garrulous…you get the message. My daughter read something of mine once and critiqued it by asking, “why do you say the same thing three times, differently? Why not just say it once, effectively?”

So happy her Dartmouth education paid off, because, really, she was right.

I write fast – no surprise there, since I talk and think fast.  Quick witted is what an admirer said of me once. My first drafts go on for hundreds of pages. Dialogue, exposition, explanation. Words and words and words. I just write whatever comes into my head while my fingers follow. I talk this way, as well, so it’s not a bombshell to admit my writing reflects this. If I got paid by the word I’d be a quadrillionaire ( if there is such a thing).

Even now, as I’m typing this, I find myself saying the same thing in different ways just  to make sure you, dear reader, get it.

Robert Parker and Elmore Leonard were two of my favorite writers when I was penning mysteries. Their dialogue was always spot on, even if it was a one word rebuke or answer to a question, and their descriptions required no more than a sentence or two for the reader to get the visual. They trusted their readers to understand what they were trying to convey and we always did. I live to write this way. The nicest compliment a reader can give me is that they “vividly saw what I wrote when they read it.”

I just submitted a story for a new series that will be coming out next Valentine’s Day. The word cap was 10-20 K, maximum. My stories are usually 85,000-100,000 words, easily. Writing this story for submission was an excellent way for me to learn to curtail my logorrhea. First draft was 27,615 words – and I thought all of them should be kept. No. They couldn’t. I had to eliminate at the very least 7,615. That’s a full scene for me.

Second draft I got it down to 22,005. Still not enough.

I had a dream one night on how to tighten a scene and BAM! the next day I got it down to roughly 14,500. This was good. I read the story at least 20 times, gave it to a friend and read little snippets to my coworkers.  They all agreed I should leave it as it stood. Don’t add. Don’t subtract.

I agreed. Today I submitted it to my Editor. We’ll see what happens, but this exercise taught me the benefit of culling extraneous words, tightening longwinded and rambling scenes, and focusing in on the specifics of the story and not worrying about the extra stuff no one needs to know about. As a writer, this is a good thing.

It’s not exactly a bad thing as a person either, since I do tend to ramble on and on and……..

 

 

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March 24, 2015 · 9:03 am

Insomnia…a good thing?

I don’t sleep much. 2 to 3 hours straight for me is considered a full night’s rest. I can fall asleep without any problems. It’s staying asleep that’s difficult.

My mind never NEVER shuts down, even in sleep. No matter what time of the day or night it is, no matter what time zone I’m in, or how physically exhausted I am, my brain, like the energizer bunny, keeps going. Most of the time this sucks wind. Dark purple smudges that need three applications of concealer are present under my eyes at all times. No amount of eye care product gets rid of them. I yawn consistently, so much so people think I’m bored when I’m around them. Not true – just tired. Like an overcharged battery, my brain goes on and on and on….

You get the picture.

There are times, though, when this has proven to be a good thing. Because I’m such a light sleeper, I always heard my child stir when she was baby, or later when she was a teenager and pushing the curfew regulations. (For reasons of disclosure, this never happened! She was always on time.) I know instantly when something is amiss in the house at night, such as when the power goes out during our numerous winter and spring storms. The instant the digital clocks flick off when the power goes, I’m up and at’em.

But the main reason my chronic insomnia is beneficial is because when the world is sleeping soundly and there isn’t a noise or distraction in my realm, I can sneak off to my attic and write for hours before I need to get up and really start the day. During my insomniac haze I am mentally clear and focused when conventional wisdom tells you I should be just the opposite. I can bang out 15-20 pages of my WIP at 3:30 in the morning and when noon strolls around I’m lucky to get 100 words written. I’m working on a novella right now that only gets my attention at 4 a.m. I’m writing it when I can’t stay in bed anymore and revising it during the light of day.

When I first started working as a Registered Nurse I worked what was called the grave yard shift of 11p.m to 7 a.m. for 2 years. On the nights I was off from work my mind never shut down so I’d be up most of the night watching old movies on television – no YouTube, CNN or late late night hosts back then.

Now when my insomnia gets me out of my bed I focus on my writing, which has been utterly prolific the past few months, hand in hand with the increase in my sleeping trends.

Too bad I don’t write vampire books. I know what ol’Dracula is going through with this whole up all night business.

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