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Guest Post: Joanne Guidoccio

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Tracee Ford, The Smart Mouth Writer's avatarTracee Ford

Revisiting the Dream

During my ASeasonforKillingBlondes_w9101_750 (2)high school years, I dabbled in poetry while dreams of a writing career dangled before me. But I gave in to my practical Italian side and pursued degrees in mathematics and education. While teaching was a good career fit, in my heart of hearts, I knew that I would write a novel at some point in my life. All I needed was more time and more energy.

Be careful what you wish for…

Five months before my fiftieth birthday, I was diagnosed with inflammatory breast cancer and forced to take a leave of absence. With all my energies focused on healing, I searched for light and breezy novels that would distract me. I was grateful for the bags of books dropped off by well-meaning friends but couldn’t get into any of the storylines. I found the philosophical books too intense and the comedic books unsatisfying.

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RWA15, continued

Day 2. The Goodie room is now open and can I just say YEAH! Free stuff and SWAG!!

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heres my contribution:

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Hey! Who doesn’t like  candy??!!

So I’m sitting in the hotel bar/restuarant area watching all the famous, infamous, and want to be both ( or either!) walk by. Every time someone looks at me and they are wearing an RWA lanyard I smile because you never know who it is smiling back. Could be my dream agent…could be the author I love most in the world ( Are you listening Nora Roberts??!) Could be my new best friend. Okay, those last two sound a little creepy, but you know what I mean…

The Nora Roberts Foundation for literacy is sponsoring the author signing this afternoon that unfortunately I couldn’t get into…next year for sure!!!.. but I’m volunteering at it so I will let you all know who I see and everything about the event.

BTW here are some random New Yorkers just walking around on a sunny day.

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A little luck and a lot of hard work

I never dreamed about success. I worked for it.Estee Lauder

Icons are icons, whether writers or uber-business moguls like the lady quoted today. You don’t get where you want to get in life without a lot of hard work. Hard, finger-splitting, muscle making, soul growing work.

I’ve been asked to edit a piece I submitted for publication with the hope  that once I do, it will be good enough to warrant publication. So, I’ve been arduously typing away these past few days, rewriting, editing, editing some more, and trying to live my normal every day  life as best as I can. Because, you see, I don’t just want this to be good enough for publication. I want it to be the best I can make it. I want to feel, once the last word is typed, that this was truly the best  job I could do, that I gave it everything I could, and that I made it better than good enough.

A difficult task, to be sure.

My words, my thoughts, my ideas all have one thing in common: they are MINE.  My babies. I gave birth to them, nurtured them, then when they were ready, let them go. When I let them go out into the world to be read, I can’t help feeling trepidatious that they will be judged harshly. No parent wants to hear anything “bad” about their child. You always feel as if you failed in some way when someone makes a harsh comment about your baby.

I feel exactly the same way with my written words.  Like a wild mamma lion protects their young -sometimes to the death- is the way I feel about my words. My hard work, my soul growing work!

But, as with children, sometimes you have to let them feel a little pain, face a little judgement, in order for them to grow to be bigger, stronger, better.

So, today I struggle with the edits, hating to change or delete one word, one thought, one scene, in order to make the work good enough.

No, scratch that. Not good enough. The best it can be.

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Emotions

“To write is to descend, to excavate, to go underground.” Anais Nin

Why am I including a quote from one of the first women writers to pen female erotica? Simple. Anais Nin was a profoundly adept writer of human emotions – both male and female. That she chose to write about emotions as they related to sexuality and sexual awakening is a point that can be debated in a college literature course. For my purposes, she helped me understand the underlying themes of human sexuality and emotions with regards to my romance writing.

There are as many different categories in romance writing as there are romance writers. I happen to like writing  stories about people finding love and companionship in a contemporary setting. The here and now. I’ve mentioned before that I like to read Regency Historical romances. It’s a time period I know I can’t write, but one that gives me a great deal of pleasure to read. Some romances are considered “Inspirational,”  some defined as “Sweet.”  There is a very large market now dealing in romantic female erotica. There are paranormal, urban, suspense and thriller categories as well.

The one thing all these diverse types of romance writing have in common is emotions, and the number one emotion is of love. Now, love doesn’t necessarily have to translate to sex, but for my writing purposes, it does. People have sex. Even your parents, gross as that may seem to you. (How do you think you got here?) My characters have sex. My characters have emotions. Those two facets – emotions and sex – are very important themes for my writing.

Anyone can write a sex scene. It’s basic anatomy and algebra 101: part A goes into part B and you wind up with C. I’ll let you figure out what the letters stand for. To be able to write a love scene and not just a sex scene, and make the reader feel the emotions coursing through the characters, is a talent I have been trying to develop for years.Romantic fiction isn’t about the sex – although that plays a large part in it. No, it’s about how the characters feel  about, and respond to, one another. It can be just an askance look that heats up the emotion, a simple touch of hand against a cheek, or a knock you out of your socks kiss.

Look up the word love in any dictionary and you will get descriptors for emotions, such as, an intense feeling of deep affection; a romantic or sexual attachment. Notice the first definition states an INTENSE FEELING… The words intense and feeling both denote something more than the ordinary.   To be able to delve into the deepest emotional troughs of a character’s psych and explain it so that the reader recognizes it as an emotion that they themselves have felt – or want to feel – is the mark of an exceptional writer.

Nin’s quote explains that the writer  must  dig deep down into the emotional well of  characters. To excavate, which literally means to extract layer upon layer to get to the core, the underground storeroom where true emotion lives. As writers, we need to strip away at our characters to find the essence of what makes them who and what they are. As writers of romantic fiction we must be able to express those rolling emotions  effectively when love, sex, and conflict come about. Your reader needs to understand what the two love interests mean to one another – during sex and after it. To do that convincingly, we, as the writers, need to delve deep down ( per Nin) and unearth our own true and hidden desires. That’s a tall order.

If you’ve never read any of Nins work, don’t worry. You don’t have to. She was pioneer and the time period in which she wrote makes reading her a chore if you just want to kill an hour. But her quote is a profound one. To write, is truly to descend into our own and our character’s inner emotional true selves and then express those emotions in a way common to all who read our work.

Any thoughts?

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Self doubt

“Of all the liars in the world, sometimes the worst are your own fears.” Rudyard Kipling.

This is a beautiful quote. Really. Look at the way Kipling works the words. He takes something as fundamental, complex and intrinsic to all mankind as the emotion fear, and calls it, quite simply, a liar. A teller of an untruth. A false statement or thought.

Why does this quote resonate with my writing? Because I am loaded, chockfull, with fear about what I write. I never think : it is good enough, worthy to be read by others, humorous, sad, though provoking, etc. Simply, I am constantly afraid my writing is not up to par and, that has kept me from allowing others to read what I’ve written and stockpiled for decades. My fear renders me incapable of sharing or even discussing my work. Most of my friends and co-workers never knew I wrote for pleasure until last year and even then I was loathe to tell them I wrote romantic stories.

The fear of not being considered good enough can be traced way back to my childhood. Parental abandonment, overweight issues and family mental illness all helped shaped me into the fearful young adult I became. Don’t ever let anyone tell you the experiences of your childhood don’t lead to lasting traumas in adulthood. How we deal with those traumas, and hopefully move beyond them is key. My family life was a melodramatic gothic novel waiting to be published and I finally realized that in my thirties and was able to push through it to become the strong willed, confident ( most of the time) person I am today.

But the one thing I’ve always kept locked away was my desire to write and be published. The fear of showing what I wrote to professionals and then being judged and rejected was too much for me. I never considered they would actually like something I’d written, or see some kind of potential in it. No, I knew it wasn’t good enough,so I just saved it to the hard drive and that was it.

Until last year.

Last year I was finally able to reconcile my fear of public knowledge about my writing and began pursuing options. I joined a writing group, something that had terrified me for years. I knew they would be much more polished writers than I was, published and well known with large reader followings.  They would recognize me immediately as not worthy of being in the group. I had nothing to add to the discussions about publishing and writing. What I never imagined, though,was that they would be so warm and welcoming to a new member. That they would bestow wisdom and encouragement and support to someone nowhere near as far in a writing career as they were.  First lie proven untrue – you are worthy and welcome – first fear overcome.

Then I started entering contests. Because I never had to face the judges across a table or room, I thought that when their negative comments came about my work – and I knew they were going to be negative – I wouldn’t feel as upset as I would have if it were given to me in person. Second lie dispelled – you aren’t a good enough writer – I got a great deal of positive comments and even got asked for full manuscripts from some editors. Second fear overcome.

I started traveling to writing conferences and began to feel as if I really did belong to this elite, special group of people. Third fear gone.

Every day when I write something I still agonize about whether it is good enough to be viewed by other people. I don’t worry they will laugh at my work, or me, though anymore. I don’t dread the thought of negative comments if they are tempered with constructive criticism. And I have even begun to start answering the question, “What are you working on?” with some confidence in my voice.

So, back to the quote: read it again and determine if your fears – and the lies that they are made of – are worth dispelling. For me, they were.

Any thoughts?

 

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Motivation

The dictionary definition of motivation is the act or process of giving someone a reason for doing something (Merriam Webster).  Deb Dixon, in Goal, Motivation and Conflict, tells us “Motivation is the “why.” Why do characters want something? The motivation is what drives characters to achieve their goals.” She also tells us that motivation is both an internal and an external concept.

Your characters  must be motivated towards a goal. Otherwise, they will just be dancing around on the page, happy and carefree with no worries. How do you spell b-o-r-i-n-g? They need to be moving towards or working towards a goal and the reason for that goal is what is motivating them. I think this holds true in real life as well, not just simply in our fictional characters.

Some days, when the words are flowing through my mind faster than my typing fingers can keep up, I never question what motivates me to write. To me, writing is like breathing: I have to do it or I will surely die. My tag line for this blog is Writing is my oxygen. I mean that.

Then there are days where I can’t get my mind to tell my fingers what to type. My brain is clouded, cluttered, and non-cooperative. But even on those frustrating days when the words don’t come easily, I still never have to question my motivation to write. I just have to or I know I will die. Sounds melodramatic, doesn’t it? Yeah, that’s me:  Melodrama’s my middle name. You thought it was Mary, didn’t you? Na-uh! Margaret-Melodrama Jaeger.

If I were a character in a novel and Deb Dixon was analyzing my character motivation, it might go something like this: External motivation: needs to write in her blog everyday so she doesn’t die. Internal motivation: writing is the one thing that is mine and mine alone, that gives me unlimited pleasure, and makes me feel worthy of living. I need to write just like I need to breath.

I think I’ve got this one; no worries. Now, applying it my characters may be a tad more difficult. And it should be. Otherwise my characters will be – here’s that word again –  boring!

My quote from today is from ubersuccesful writer Barbara Kingsolver: “The very least you can do in your life is to figure out what you hope for. And the most you can do is to live inside that hope. Not admire it from a distance, but live right in it, under its roof.”

What I hope for is the ability and freedom to write until I take my last breath. Seems to me like my hope and my motivation are pretty much the same thing!

Any thoughts?

 

 

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Criticism vs. Critique

I entered a romance-writing contest several months ago and received  my results back today via email. The contest was the first 10 pages of your WIP (work in progress) and a brief synopsis of the overall plot. I hate writing a synopsis and avoid it whenever I can. Unfortunately, for this contest, one was required, but the rules stated it would not be part of the overall judging.

Three judges and their scores combined gave you your overall score. One of the judges was a professional/published writer in romantic fiction, one a beta reader, and one an unpublished writer, but a retired teacher and editor. This last judge was the harshest, and I’ll say meanest of the three. He tore my work apart, and I mean  TORE it apart. He critiqued where I put commas, my dialogue – which he called “trite”, my heroine, which he said he didn’t like and nothing would convince him to, and my sentence structure.  And he said my synopsis sucked. He really did! The published author gave me very constructive criticism NICELY, and pointed out a few things that needed improvement. The beta reader wrote how much she loved the story, the characters and the setting, and also, nicely, pointed out a few things for improvement. She gave me the highest scores of all three. You can guess who graded me the lowest – and I mean low.

Now my ego is as strong as an ox. People who know me know that. I can take criticism, constructive or otherwise, and pull out the parts of it that will help me in the future. I did this with all three of these judges, because they all had valid points.  But I wondered why the editor/teacher judge was so harsh in his delivery. He didn’t know me, knew nothing about me except for the pages being judged, and he sincerely could have made his points succinctly without all the nastiness.

This hasn’t turned me off to entering contests at all, because with each one I do enter, I learn something valuable. What I learned from this contest was that the beta reader, a lover of romantic fiction such as I am, is the person I write for, not the judge. The reader wrote comments all over the entry, such as “Aww!” when she read something touching, and “I love that he said that,” to a dialogue for my hero.

This is the person I write for. Plus myself, of course.

And here’s the best part of this story: I entered the same 10pages in another contest and two editors from publishing houses notified me they liked what they’d read so much they wanted to see the entire manuscript.

So THERE! Mr. Smarty-pants judge!

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I really should be writing…

The gentle art of procrastination has been many a writer’s downfall, mine included. I have such a limited writing life, time-wise, that there always seems to be something that can – and does – pull me away from the laptop. Self-discipline is a virtue I aspire to, but have, as of this moment in time, never fully attained. I can easily be swayed to go out to lunch with a friend, get my nails done, or finish the new Nora Roberts book because I’m at a critical point in the plot.

All of these are just flat excuses for the fact that I should be writing.

Life seems to intervene as well, though, when I’m trying to finish something, or working towards a deadline. There is always grocery shopping that needs to be done, laundry that needs to be washed, dust bunnies that need to be vacuumed, and errands that need to be run. These distractions, although necessary, can wreck havoc with a writing schedule. Having little children in the house who are not school age yet but too old to nap; doing the car pool shuffle to and from school for those that are; PTA meetings, book club meetings, play dates. All these things took me away from writing when my daughter was younger. When she got older, I needed to go back to work outside the home, so there went my dreams of a full day of writing while she was occupied with her life.

For eleven years I was basically divorced from my desire to write. Then 2013 hit and with it, I was downsized at work. What to do with the time I now had on my hands. Duh! No brainer, there.

New Year’s Eve of this year I made one resolution that I am trying ardently to stick to. On my days off from my paying job, I slot at least 6 hours of uninterrupted writing time per day. Most of that time is spent in front of the laptop, with me tapping my fingers in frustration, attempting to find the perfect words and phrases. But at least it is time that I am actively writing, not passively wishing I was. Our clothes are clean, we are not starving because there is no food in the house, and every now and then a dust bunny escapes to be dealt with another day, but the commitment to write is always present and accomplished. I even have it plotted on the calendar that hangs above my desk. Whenever I look at it, I am reminded that no matter what, this day I will writing something.

Today is my day off from work. And look what I’m doing! Success.

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A room with a view…..

When penning a story, the setting, or the environment, the action takes place in can set the tone, mood, or even background for the entire story. Any editor will tell you where you put your characters is an important part of the makeup of a good book.

That got me to thinking about the environment in which you actually write the story. Does the space where you create have a positive or negative effect on your writing, how you write, and ultimately, if it all pulls together in the end?

When I first starting writing seriously (read that to mean for publication and money!) I had an old Brother typewriter that sat at my kitchen table in my two room apartment. No spell check, no online thesaurus and certainly no delete key. It would take me three or four or more tries to get an article perfect in every sense – no spelling, grammar, or punctuation mistakes included – before I would mail it to an editor. And by mail I mean walk to the Post Office. Not press a send key. I wrote this way for years.

Fast forward to the birth of my daughter. My husband bought our first computer and monitor with Corel Word 4 attached. At the time, this was Heaven for me. Now I had easy access to delete or correct something within the text. At this point in my life, my writing skyrocketed in volume just because I could type fast and edit as I went along. The computer sat in a spare bedroom we hysterically called, “our office.” The only problem with this setup was that we had one computer and two adults who needed access to it.  And again, I wrote this way for a decade plus five years.

Another trip into the time machine and we’re in real time. I have my own laptop (Yea!) and now, I actually have my own space to write, too. Our attic runs the length and width of the house so it’s two complete rooms. One is for storage, the other is for me. I have my own desk – okay it’s my daughter’s old desk, but she’s not living here any more – my own bookshelves that house all my reference books, a couch for stretching out in when my menopausal back and butt get numb from sitting for hours, and even a television if I need to reconnect with the outside world for a few moments. The desk sits in front of a beautiful big window where I’ve been watching the never-ending snow come down recently as I gaze off and think of the right word I want to type. To me, this is writing Nirvana. Private space, no noise and good natural lighting from the skylights in the roof. I now, hysterically, refer to my writing space as my “writer’s loft.” A little pretentious, yes, but hey, it works for me.

Is it any wonder my writing has improved so much lately that I actually have professionals wanting to see it? Hmmm. Makes you think, doesn’t it…

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Editing. A necessary evil…

This is not me complaining: this is my reality.

I received word a few days ago that a publishing house is very interested in a story I’ve written, but that it needs a few edits and tweeks. The tweeks were lined out for me, but the editing is up to me alone. I’ll say this once, and it’s true: I am not now nor have I ever been exclusively married to my words.  Sentences get divorced, words undergo formal separations. I know every story is made stronger with good editing and refining. A word change here, a phrase turn there. It can only get better.

Here’s my dilemma, though, and the one I’ve struggled with forever as a writer. When is editing too much, and when is it not enough?

I like certain phrases, and I know I overuse them. Once is good writing, twice can be annoying, and anything more than that is outright non-imaginative. There are certain words I tend to use as descriptors, which in reality aren’t. Again, I know this and always try to find alternatives.

But it’s hard work.

When I was just writing because it gave me pleasure, I didn’t think about these things. I wrote phrases the way I liked them; I used words the way I wanted to. But since I’ve finally bitten the proverbial bullet and ventured into the world of publishing, I can no longer simply write just  to please myself. I realize I need to stick to certain grammatical rules and sentence structures. I understand the need to use active voice and not passive. I agree with sticking to one point of view at a time, even though every character’s thoughts are flowing through me simultaneously.

I know all this, and I accept I need to do it in order to get my work in front of a paying and adoring public.

But it’s hard work.

Who was it that said “anything worth doing is worth doing well?”

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